Guest guest Report post Posted April 10, 2010 Dear All (especially who are into Srividya and Karnatic Music), As per the trailing mail by Shri Shridharji, this is the compositon of Saint Tyagaraja (vide ref:tyAgarAjavirachitaH). Also, the last line says: ///// ityAnandanAthapAdapapadmopajIvinA kAshyapagotrotpannenAndhreNa tyAgarAjanAmnA virachitaH dharmAmbikAstavaH sa.npUrNaH ////// It says that " tyAgarAjanAmna virachita " ie., composed by Tyagaraja " and again mentions his gotra pravara and diksha nama ie., " anandanAthapAdapadmopajIvina " & " kAshyapagotrotpanna " which implies composer belonged to Kashyapa Gotra and also mentions his inclination towards srividya. Now, the saint bard Shri Tyagabrahman belonged to Bharadwaja Gotra and was a Rama Bhakta. I am not aware whether he is srividyopasaka or not. WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? Kindly enlighten me on this issue especially the " silent moderator " Shri Aravind Krishna who is into srividya & carnatic music. regs, sriram , Sridhar - Seshagiri <seshagir wrote: > > \centerline {dharmAmbikAstavaH} > \centerline {tyAgarAjavirachitaH} > > kalyANAmR^itakAmadhenumahile kAmapriyAharShade > kAruNyAmR^itavApike pikashishusvAnandasallApini . > kAmeshapriyakAmakalpalatike kAdambavATIpriye > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 1 .. > > eNIbAlavilochane phaNimaNishreNIlasatkaN^kaNe > tUNIrAkR^itajaN^ghike trinayane sthANormanohAriNi . > vANIpANisarojavAditalasadvINAsvarAlApike > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 2 .. > > IshitvAdivibhUtikasvavibhave IkArasi.nhAsane > indrANIpaThitastute ihaparatrANadhvaje indire . > IshAnAdisurendrasevakajane IshAdhirAjeshvarI > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 3 .. > > lAvaNyAbdhipayojavaktranayane lakShmIkarAlokane > lakShmIkAntaniShevitAN^ghrikamale lambodarashrIkari . > lakShyAlakShyavilakShaNe kShaNavatA.n svAnandavR^iddhiprade > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 4 .. > > hrIpAshAdivimochane.atichature hR^idgranthivichchhedike > hR^idyAnandasudhArasArdramadhunA sa.ntarpaNAhlAdini . > hrI.nkArArthajagadvilAsavibhave vidye vimarshAtmike > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 5 .. > > hastishreShThasukumbhasa.nnibhakuche haryakShamadhye shubhe > hemAbjAnanapANipAdanayane chandrArdhaphAle shive . > he mArArimatervimohadalasannIlAlake nirmale > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 6 .. > > satyAnandachidIshvarapraNayinI saubhAgyaratnAkarI > sAmrAjyaprabhudeshikendrakaruNAsyandAmR^itasvardhunI . > sarvAshArahitasya bhaktahR^idayasyAnandakAdambinI > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 7 .. > > kalpe kAlakaleshi kalpakalane sa.nkalpasiddhAkhile > kAlAkAlavibhAgakalpanakale kAlAntakapreyasi . > kAlopAdhivivarjite kalimalapradhva.nsinI kAmade > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 8 .. > > hakShadvandvadalatrikoNavilasajjyotsnAkalArAdhite > ha.nsadvandvagatiprabodhajananashrIdeshikendrAtmike . > ha.nsArohavichakShaNe abhayade Anandasa.nvardhinI > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 9 .. > > lajjAnamramukhe pranR^ityati shive lAsyapriye lakShaNe > lakShyArthe layavarjite lalitavAkpIyUShasa.ndohini . > lakShmImAnasarAjaha.nsi lalite lAmajjagandhapriye > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 10 .. > > hrI.nkAre hR^idayatrikoNanilaye hR^idye surArAdhite > hrI.nkAradhvanilInachittasulabhe hR^iShTeshvareShTeshvari . > hrI.nkArAgnimukhaprashAntakalanAsarvaj~nasAmrAjyade > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 11 .. > > satyAsatyavivarjite samarase sa.nvillate shAshvate > sarvaj~nAnavibodhinIshakaruNe saubhAgyavidyAmayi . > sachchitsaukhyavilAsakelikutuke sarvApavargAtmike > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 12 .. > > karmAkarmavivarjite kavimukhe vAgvR^iShTikAdambinI > kAvyAlApavibodhinIshakalike kaumAri kAtyAyani . > kAntArdhenduvibhUShaNe smarakale shrIkAmakoTIshvarI > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 13 .. > > labdhashrIkamalAlayAlayalasatkAmeshvarapreyasI > lAkShAraktarasapraliptacharaNadvandve laghushyAmale . > lauhityachchhavipATalIsumapade paryAptakAmaprade > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 14 .. > > hrI.nkArotthitanAdasa.ntatisudhAdhArAbhisa.ntarpite > hrI.nkAratrayamantravidrumalatAjyotiHsvarUpe pare . > hrI.nkArAkShararUpiNi tribhuvanashrIrAjarAjeshvarI > dehi shrIpadapadmabhaktimanisha.n dharmAmbike shrIshive .. 15 .. > > mUlAlavAlajaparAviTapiprasUnai\- > rabhyarchitA shrutirahasyasugandhagandhaiH . > praspandidhIpavanachAlitavAN^mayaistva.n > tyAgAdhirAjamahiShI varade prasIda .. 16 .. > > ityAnandanAthapAdapapadmopajIvinA kAshyapagotrotpannenAndhreNa > tyAgarAjanAmnA virachitaH dharmAmbikAstavaH sa.npUrNaH > Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 11, 2010 Dear Shri Sriram > As per the trailing mail by Shri Shridharji, this is the compositon of Saint Tyagaraja (vide ref:tyAgarAjavirachitaH). The Tyagaraja who composed the dharmAmbikAstavaH is not the bard-saint Tyagaraja. He is the author of several works that I posted on the list, which I found in a book titled " stotrasamuchchayaH - A collection of rare and unpublished stotrA-s " , Vol 99 of the Adyar Library Series (published by the Adyar Library and Research Center in Adyar, Madras/Chennai). /message/2189 navAkSharIstotram /message/2302 AryApa~nchadashIstotram /message/2341 rAjarAjeshvarIstavaH /message/2569 > WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? ==> The book offers no clue on this. I too was very interested when i first found the book, and maybe someone can help. > Kindly enlighten me on this issue especially the " silent moderator " Shri Aravind Krishna who is into srividya & carnatic music. Yes :-) One thing that remains unfinished is his extremely wonderful commentary on the magnificent abhayAmbAShTakam of Dikshitar, see /message/303 /message/359 /message/370 /message/402 /message/404 If the start was such a treat, i wonder how much joy we will all get when this project is completed. I also hope he will take up the compositions of Saint Tyagaraja on his beloved Mother Dharmambika (Dharmasamvardhini or aRam vaLar nAyaki) in the hallowed Panchanada Kshetra. Regards, Sridhar. Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 11, 2010 Namaste Sriram > > > WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? I did a quick search on google, and came up with these links: http://results2.ap.nic.in/general/s1/s1bookdet.jsp?B=4638 & V=9 http://faculty.washington.edu/kpotter/ckeyt/txtdu.htm DU789.Tyagaraja of Kasyapagotra; pupil of Anandanatha 1.Pancakosavimarsini (Advaita) (NCat VII, 226; XI, 10) 2.Svatmasphurtivilasa (Advaita) (NCat VIII, 226) 3.Upadesasikhamani (Advaita) (NCat VIII, 226) On Anandanatha (assuming its the same Anandanatha), I found the following works attributed to him Devinamavilasa (Anandanatha) Sivajivadasaka (Anandanatha) On the other question that you raised on the bard-saint being a shrividya upasaka, i found the following @ http://www.kamakotimandali.com/misc/rama108.html : Sri Kakarla Tyaga Brahmam, known as Sri Tyagaraja, was born as an amshAvatAra of sage vAlmIki and received tAraka mantropadesha from saint nArada on account of nArada mantropAsanA. Thus, he verify represents the combination of vAlmIki and nArada. shrI tyagarAja was not only a bhAgavatottama, but a shrIvidyopAsaka as well. Great musicians like Madurai Mani Iyer, Semmangudi Srinivasa Iyer, Mahamahopadhyaya Nookala Chinna Satyanarayana and H H Kanchi Paramacharya have recounted the kharapriya krti " chakkani rAjamArgamulundaga " as describing the path of Srividya Upasana. Though there are no direct references to upAsana tattvas in Thyagaraja's krtis, it should be noted that the well-known upAsaka shrI shAmA shAstry made no specific references to shrIvidyA upAsana in his krtis either. UpAsana, unlike now, was a strictly a personal activity done for AtmalAbha, free from publicity and commercialism. These masters did not seem to believe the need for shouting from rooftops to practice or teach upAsanA of the Supreme Lady who is not only antaryAgasamArAdhyA but also rahastarpaNatarpitA. One should note the Suddha dhanyAsi krti where Sadguru says: " Ajanmamu peddalu tama madilo nI japame muktimArgamanukoni " . Sangitakalanidhi Sri Semmangudi Srinivasa Iyer once mentioned to me that Sri Walajapet Venkataramana Bhagavatar, a direct disciple of Sri Tyagaraja was a shrIvidyA Upasaka who was initiated by Sri Tyagaraja. mAma, himself belonging to tyAgarAja's shishya sampradAya [umayalapuram branch], had interacted with several others of the lineage and seemed to have no doubts in this regard. vyAso naigamacharchayA mrdugirA valmIkajanmA muniH vairAgye shuka eva bhaktiviShaye prahlAda eva swayam | brahmA nArada evachApratimayoH sAhityasaMgItayoH yo rAmAmrtapAnanirjita shivastaM tyAgarAjam bhaje || Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 12, 2010 Namaste Sridharji, Thank you for your wonderful clues. I will go thru all the links you have provided. As regards the Srividya upasana of Shri Tyagabrahman, i was excited to learn this. These are really the mahans who maintained " grand silence " regarding their srividya. I was also told that Shri Krishna Chaitanya Mahaprabhu of Bengal who started the cult of Krisna Bhakti, was a staunch sakta and worshipper of Goddess Annapurna. So, the vakya " antah sAktah bahih saivah loke tu vaishnavah " aptly fits these upasakas. BTW, i was told that Shri Dikshitar composed Nilotpalamba Navavarana Kritis apart from Kamalambika Navavarana Kritis at Tiruvarur. Kindly let me know whether they are available or not. regs, sriram , " sWseshagiri " <s_seshagiri wrote: > > Dear Shri Sriram > > > As per the trailing mail by Shri Shridharji, this is the compositon of Saint Tyagaraja (vide ref:tyAgarAjavirachitaH). > > The Tyagaraja who composed the dharmAmbikAstavaH is not the bard-saint Tyagaraja. He is the author of several works that I posted on the list, which I found in a book titled " stotrasamuchchayaH - A collection of rare and unpublished stotrA-s " , Vol 99 of the Adyar Library Series (published by the Adyar Library and Research Center > in Adyar, Madras/Chennai). > > /message/2189 > > navAkSharIstotram > /message/2302 > > AryApa~nchadashIstotram > /message/2341 > > rAjarAjeshvarIstavaH > /message/2569 > > > WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? > > ==> The book offers no clue on this. I too was very interested when i first found the book, and maybe someone can help. > > > Kindly enlighten me on this issue especially the " silent moderator " Shri Aravind Krishna who is into srividya & carnatic music. > > Yes :-) One thing that remains unfinished is his extremely wonderful commentary on the magnificent abhayAmbAShTakam of Dikshitar, see > > /message/303 > /message/359 > /message/370 > /message/402 > /message/404 > > If the start was such a treat, i wonder how much joy we will all get when this project is completed. > > I also hope he will take up the compositions of Saint Tyagaraja on his beloved Mother Dharmambika (Dharmasamvardhini or aRam vaLar nAyaki) in the hallowed Panchanada Kshetra. > > Regards, > Sridhar. > Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 12, 2010 Dear Shridarji, The Tyagaraja Kriti " chakkani rajamargamulunda " describes the efficacy of " Rama Bhakti " , " Rama Taraka Mantropasana " . Saint says that when Rama Bhakti & Rama Mantra Japa are the easiest ways to reach the self-realisation, why people tread the by-lanes, that are tortous paths like yoga etc. I believe this is what Shri Tyagaraja is saying. Kindly explain where is the reference to Srividya in this Kriti " chakkani rajamargammulundaga " . There are several kritis that details out the efficasy of Rama Bhakti like " Rama Bhakti Samrajyamu e manavuniki ... " etc. Kindly enlighten me. regs, sriram , " sWseshagiri " <s_seshagiri wrote: > > Namaste Sriram > > > > > > WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? > > I did a quick search on google, and came up with these links: > > http://results2.ap.nic.in/general/s1/s1bookdet.jsp?B=4638 & V=9 > > http://faculty.washington.edu/kpotter/ckeyt/txtdu.htm > DU789.Tyagaraja of Kasyapagotra; pupil of Anandanatha > 1.Pancakosavimarsini (Advaita) (NCat VII, 226; XI, 10) > 2.Svatmasphurtivilasa (Advaita) (NCat VIII, 226) > 3.Upadesasikhamani (Advaita) (NCat VIII, 226) > > On Anandanatha (assuming its the same Anandanatha), I found the following works attributed to him > Devinamavilasa (Anandanatha) > Sivajivadasaka (Anandanatha) > > On the other question that you raised on the bard-saint being a shrividya upasaka, i found the following @ http://www.kamakotimandali.com/misc/rama108.html : > > Sri Kakarla Tyaga Brahmam, known as Sri Tyagaraja, was born as an amshAvatAra of sage vAlmIki and received tAraka mantropadesha from saint nArada on account of nArada mantropAsanA. Thus, he verify represents the combination of vAlmIki and nArada. shrI tyagarAja was not only a bhAgavatottama, but a shrIvidyopAsaka as well. Great musicians like Madurai Mani Iyer, Semmangudi Srinivasa Iyer, Mahamahopadhyaya Nookala Chinna Satyanarayana and H H Kanchi Paramacharya have recounted the kharapriya krti " chakkani rAjamArgamulundaga " as describing the path of Srividya Upasana. Though there are no direct references to upAsana tattvas in Thyagaraja's krtis, it should be noted that the well-known upAsaka shrI shAmA shAstry made no specific references to shrIvidyA upAsana in his krtis either. UpAsana, unlike now, was a strictly a personal activity done for AtmalAbha, free from publicity and commercialism. These masters did not seem to believe the need for shouting from rooftops to practice or teach upAsanA of the Supreme Lady who is not only antaryAgasamArAdhyA but also rahastarpaNatarpitA. One should note the Suddha dhanyAsi krti where Sadguru says: " Ajanmamu peddalu tama madilo nI japame muktimArgamanukoni " . Sangitakalanidhi Sri Semmangudi Srinivasa Iyer once mentioned to me that Sri Walajapet Venkataramana Bhagavatar, a direct disciple of Sri Tyagaraja was a shrIvidyA Upasaka who was initiated by Sri Tyagaraja. mAma, himself belonging to tyAgarAja's shishya sampradAya [umayalapuram branch], had interacted with several others of the lineage and seemed to have no doubts in this regard. > > vyAso naigamacharchayA mrdugirA valmIkajanmA muniH > vairAgye shuka eva bhaktiviShaye prahlAda eva swayam | > brahmA nArada evachApratimayoH sAhityasaMgItayoH > yo rAmAmrtapAnanirjita shivastaM tyAgarAjam bhaje || > Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 12, 2010 Dear Shri Sriram, > > The Tyagaraja Kriti " chakkani rajamargamulunda " describes the efficacy of " Rama Bhakti " , " Rama Taraka Mantropasana " . What was written in my previous post was " quoted as is " from the kamakotimandali site. I personally disagree with what was quoted :-) I am not sure I understand your question on whether the nIlOtpalAmbA " gauLAnta kritis " are available. If you mean a commerical recording, you can find more information [including full sahitya/notation and translation] here @ this lovely set of articles by Dr.P.P.Narayanaswami: http://carnaticamusic.com/Static/nilotpala-ppn1.aspx http://carnaticamusic.com/Static/nilotpala-ppn2.aspx .... http://carnaticamusic.com/Static/nilotpala-ppn9.aspx These are not navAvaraNa kritis. Regards, Sridhar. Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 12, 2010 Namaste shridarji, Thanks a lot for your prompt reply. I will go thru them and revert back. Anyways, as regards the kriti " chakkani rajamargamulundaga " , i would personally clarify with Nookala Chinna Satyanarayana Garu who happens to be our family friend. On a lighter note: As regards " Mahamahopadhyaya " to Nookala, i have certain reservations. The title mahamahopadhyaya, padmasri, padmavibhushan have lost its relevance now-a-days. The great srividyopasaka, indolologist, historian, lexicographer of Telugu Bhasha Brahmasri Chinnayya Suri bore the title " Mahopadhyaya " only. regs, sriram , " sWseshagiri " <s_seshagiri wrote: > > Dear Shri Sriram, > > > > > The Tyagaraja Kriti " chakkani rajamargamulunda " describes the efficacy of " Rama Bhakti " , " Rama Taraka Mantropasana " . > > What was written in my previous post was " quoted as is " from the kamakotimandali site. I personally disagree with what was quoted :-) > > I am not sure I understand your question on whether the nIlOtpalAmbA " gauLAnta kritis " are available. If you mean a commerical recording, you can find more information [including full sahitya/notation and translation] here @ this lovely set of articles by Dr.P.P.Narayanaswami: > http://carnaticamusic.com/Static/nilotpala-ppn1.aspx > http://carnaticamusic.com/Static/nilotpala-ppn2.aspx > ... > http://carnaticamusic.com/Static/nilotpala-ppn9.aspx > > These are not navAvaraNa kritis. > > Regards, > Sridhar. > Quote Share this post Link to post Share on other sites
Guest guest Report post Posted April 12, 2010 ________________________________ Venkata Sriram <sriram_sapthasathi Mon, April 12, 2010 12:05:50 AM Re: dharmAmbikAstavaH Â Dear Shridarji, The Tyagaraja Kriti " chakkani rajamargamulunda " describes the efficacy of " Rama Bhakti " , " Rama Taraka Mantropasana " . Saint says that when Rama Bhakti & Rama Mantra Japa are the easiest ways to reach the self-realisation, why people tread the by-lanes, that are tortous paths like yoga etc. I believe this is what Shri Tyagaraja is saying. Kindly explain where is the reference to Srividya in this Kriti " chakkani rajamargammulundaga " . There are several kritis that details out the efficasy of Rama Bhakti like " Rama Bhakti Samrajyamu e manavuniki ... " etc. Kindly enlighten me. regs, sriram @ .com, " sWseshagiri " <s_seshagiri@ ...> wrote: > > Namaste Sriram > > > > > > WHO IS THIS TYAGARAJA OF KASHYAPASA GOTRA HAILING FROM ANDHRA DESA, HAVING THE ANANDANATHA DIKSHA NAMA (WHICH IMPLIES A SRIVIDYOPASAKA) AND COMPOSER OF DHARMAMBIKA STAVAH? > > I did a quick search on google, and came up with these links: > > http://results2. ap.nic.in/ general/s1/ s1bookdet. jsp?B=4638 & V=9 > > http://faculty. washington. edu/kpotter/ ckeyt/txtdu. htm > DU789.Tyagaraja of Kasyapagotra; pupil of Anandanatha > 1.Pancakosavimarsin i (Advaita) (NCat VII, 226; XI, 10) > 2.Svatmasphurtivila sa (Advaita) (NCat VIII, 226) > 3.Upadesasikhamani (Advaita) (NCat VIII, 226) > > On Anandanatha (assuming its the same Anandanatha) , I found the following works attributed to him > Devinamavilasa (Anandanatha) > Sivajivadasaka (Anandanatha) > > On the other question that you raised on the bard-saint being a shrividya upasaka, i found the following @ http://www.kamakoti mandali.com/ misc/rama108. html : > > Sri Kakarla Tyaga Brahmam, known as Sri Tyagaraja, was born as an amshAvatAra of sage vAlmIki and received tAraka mantropadesha from saint nArada on account of nArada mantropAsanA. Thus, he verify represents the combination of vAlmIki and nArada. shrI tyagarAja was not only a bhAgavatottama, but a shrIvidyopAsaka as well. Great musicians like Madurai Mani Iyer, Semmangudi Srinivasa Iyer, Mahamahopadhyaya Nookala Chinna Satyanarayana and H H Kanchi Paramacharya have recounted the kharapriya krti " chakkani rAjamArgamulundaga " as describing the path of Srividya Upasana. Though there are no direct references to upAsana tattvas in Thyagaraja's krtis, it should be noted that the well-known upAsaka shrI shAmA shAstry made no specific references to shrIvidyA upAsana in his krtis either. UpAsana, unlike now, was a strictly a personal activity done for AtmalAbha, free from publicity and commercialism. These masters did not seem to believe the need for shouting from rooftops to practice or teach upAsanA of the Supreme Lady who is not only antaryAgasamArAdhyA but also rahastarpaNatarpitA . One should note the Suddha dhanyAsi krti where Sadguru says: " Ajanmamu peddalu tama madilo nI japame muktimArgamanukoni " . Sangitakalanidhi Sri Semmangudi Srinivasa Iyer once mentioned to me that Sri Walajapet Venkataramana Bhagavatar, a direct disciple of Sri Tyagaraja was a shrIvidyA Upasaka who was initiated by Sri Tyagaraja. mAma, himself belonging to tyAgarAja's shishya sampradAya [umayalapuram branch], had interacted with several others of the lineage and seemed to have no doubts in this regard. > > vyAso naigamacharchayA mrdugirA valmIkajanmA muniH > vairAgye shuka eva bhaktiviShaye prahlAda eva swayam | > brahmA nArada evachApratimayoH sAhityasaMgItayoH > yo rAmAmrtapAnanirjita shivastaM tyAgarAjam bhaje || > Quote Share this post Link to post Share on other sites
