Guest guest Posted August 6, 2008 Report Posted August 6, 2008 Sri LakshmI Nrusimha ParabrahmaNE Nama: SrI: Dear Sangeetha RasikAs and NaadhOpAsakAs : On this SarvadhAri Aadi SravaNam day , when the SarvOnnadha JyOthi of the SravaNa dheepam of Lord ThiruviNNagrappan lighting adiyEn's path , adiyEn would like to start a series of special krithis composed by my sister, VidvAmsini Sriamthy PadmA VeerarAghavan on SrI BhUmi DEvi SamEtha Sri OppilA Appan ( SrI Oppiliyappan ) .He is our Kuladhaivam . These inspired Krithis in 72 MeLa KarthA (KarthA) Raagams and their deeper meanings will be presented in the coming days . The earlier postings on the lakshanams of the 72 MeLa Raagams and the krithis were covered in the June 9 & 10th postings in Oppiliappan List . In the June 10th posting I mentioned that I will discuss breifly the Janya Raagams arising from the 72 MeLa Raagams since VidvAmsini Padma Veeraraghavn has composed many Krithis in Janya RaagAs about Oppiliappan besides the 72 MeLa Raaga Krithis . I will follow the classifications of Janya RaagAs followed by the great VidhvAn/Painter Sriman B.Rajam Iyer of Mylapore . Janya Raagams are grouped under three categories : SampoorNam , ShADavam and Oudavam . SampoorNa Janya Raagam has 7 Swarams , ShAdavan has 6 Swarams and Oudavam has Five Swarams . These daughters of MeLa Raagams have further subdivisions (8) : 1) SampoorNa,ShAdavam : In Raaga AarOhaNam , there are 7 svarams and in avarOhaNam giving rise to 6 bhEdhams Example : Bhairavam , Janyam of 17th Mela KartA, Soorya Kaantham ( Kruthi: MariyAdhagA , Saint ThyagarAja). 2) ShAdava SampoorNam: 6 svarams in AarOhaNam and 7 in avarOhaNam ( Six bhEdhams/variations) . Example: BhUshAvaLi , Janyam of 64th MeLa karta, Vaachaspathy 3) SampoorNa Oudavam( 15 BhEdhams) : ArOhaNam with 7 savarams and avarOhaNam with 5 svarams. Example: Garuda Dhvani , Janyam of 29th MeLa Raagam , SankarAbharaNam. 4) Oudava SampUrNam( 15 BhEdhams): ArOhaNam has 5 svarams & avarOhaNam has 7 svarams. Example: Raagam SaavEri, Janyam of MaayAmALava GouLai , 15th MeLam. 5) ShAdava ShAdavam( 36 bhEdhams): 6 svarams each in arOhaNam & avarOhaNam . Example: Raagam SrIranajnai, Janyam of Karahara Priya, 22nd MeLam . 6) ShAdava Oudavam( 90 BhEdhams):Six in ArOhaNam & 5 in AvarOhaNam . Example: BahudhAri ; Janyam of 29th MeLam , SankarAbharaNam . 7) Oudava Oudavam ( 90 BhEdhams): 5 in AarOhaNam & 6 in avarOhaNam. Example : BhouLi , Janyam of the 15th MeLam , MaayA MaaLava GouLai . 8) Oudava Oudavam:( 225 BhEdhams) Five each in ArOhaNam & AvarOhaNam Example: Mohanam , The bhEdhams are 483 in total . When we multiply the 483 by 72 MeLa kartA RaagAs , we realize 34,776 Janya Raagams . Alternate classification of Janya rAgams: There are 3 types in this classification: 1) UpAnga (2) BhAshAnga and (3) vakra Raagams . In UpAnga Raagams , the particular MeLa karthA's AarOhaNa-AvarOhaNa svarams will appear in Janya Raagam. Thus all the 34,776 Janya Raagams are upAnga rAgams. In BhAshAnga Raagams , Besides the svarams from their MeLa kartAs appearing in ArOhaNa-avarOhanams , the svarams from other MeLakartAs would also appear in this Janya Raagam . Example is provided by Bhairavi . In Vakra ( Janya) Raagams , the svarams in ArOhaNam and avarOhaNam will not appear inthe same order as in MeLa rAgam but will alternate manner back and forth . Example of such a Vakra Raagam is PoorNa chandrikA . Enormous are the possibilities , when the 34,776 janya rAgams would use vakra PrayOgams . Given all these strict grammar of Carnatic sangeetham , one can not but marvel at the discipline and scholarship of composers , who create krtithis in the 72 MeLa KartA Raagams . We will consider in the subsequent postings 72 krithis composed in 72 MeLa Raagams by Kaimakrya SrI,VidhvAmsini Srimathy Padma VeerarAghavan . All these krithis are about the dhivya dampathis of ThiruviNNagar ( SrI BhUmi Devi SamEtha Sri Oppiliappan ). We will study the meanings of these krithis in Tamil and link them to the sources in Ubhaya VedAntham , whenever possible. NamO SrI VenkatEsAya , Oppiliappan Koil VaradAchAri Sadagopan Quote
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