shrImadharikathAmR^itasAra - by Sri SGP CHAR - HKAS_05-22

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VIBHUTHI SANDHI

 

  uruparAkramanaramanige dasha

karaNagaLu kannaDiya sAluga

LaravidUrana sadvihArake chitta maMTapavu

maraLi bIsuva shvAsagaLu chA

mara vilAsini buddhi dAmO

darage sAShtAMga praNAmagaLE sushayanagaLu..HKAS_05-22

 

uru = that we cannot see

parAkrama = capable Paramatma (capabilities of ParamAtma)

aramanige = lotus like heart

dasha karaNagaLu = paMchaj~nAnEMdriya-s and paMchakaRmEMdriya-s

kannaDiya sAlugaLu = line of mirrors

aravidUrana = ParamAtma who has no dOsha-s

sadvihArake = good conduct

chitta = will

maMTapavu = seat

maraLi = inhaling and exhaling process

shvAsagaLu = breath

bIsuva chAmara = is the blowing fan

vilAsini = dansuese

buddhi = intelligence (here refered as the danseuse)

sushayanagaLu = sleeping

dAmOdarage = dAmOdara ParamAtma

sAShtAMga praNAmagaLu = sAShTAMga namaskAra

 

In this stanza, JagannAtha dAsa explains that our sharIra is the palace for biMba rUpi ParamAtma.

 

ParamAtma is endowed with unheard of or unseen capabilities & strengths. He is the Regulator of all. There is none equal to Him.

 

Our lotus like heart is the palace for ParamAtma and He resides here by the name mUlEsha.

 

Pervading in the six locations explained in HKAS_05-19 refered in

 http://dvaita.info/pipermail/dvaita-list_dvaita.info/2005-May/000836.html,

He does all the vyApAra-s and and makes us do the same. Naturally in a palace there are many conveniences for enjoyment.

 

This palace of ParamAtma's has the dashEMdriya-s as a line of mirrors decorated in a palace and also for seeing one's own reflected image in the mirror. Understanding that, ParamAtama pervades in our heart and does various vyApAra-s via the iMdriya-s and that whatever jIva does is a reflection of the same is quite appropriate.

 

ParamAtma possesses infinite virtuous qualities and has no demerits at all. Such ParamAtma pervades in our sharIra and hence good conduct by chitta, which is the seat of ParamAtma, is important. chitta is one among the five manOvr^itti-s. saMkalpa shakti is the sign of chitta. For this reason satya saMkalpa ParamAtma is seated in the chitta and provides the strength for making a saMkalpa.

 

We inhale and exhale air through our nostrils. This process itself is like providing a fan for biMba rUpi ParamAtma.

 

buddhi is the manOvR^itti which recognizes knowledge. A king sits on the throne of a palace hall. Many dansuese dances in front of him to please him who are known as 'vilasini' here. They please the king with their songs and actions.  In the same way j~nAna is the vilasini for ParamAtma.

 

Our action of sleeping is itself the namaskAra for dAmOdara ParamAtma. Unable to control the truants of shrI kR^iShNa the gOpika-s of naMdagOkula, used a long rope (dAma) to tie round His waist to a large mortar, but it fell short by just a few millimeters, however kR^iShNa's waist remained thin and small. The gOpika-s were baffled and they did sAShTAMga namaskAra to Him. He then blessed them. Therefore, we must think that the process of lying down to sleep is itself namaskAra to ParamAtma.

 

 

shrI kR^ishNArpanamastu