Guest guest Posted August 31, 2005 Report Share Posted August 31, 2005 Dear Shiv Bhakts, Please do visit a blog dedicated to Lord Shiva and please do feel free to drop in your your comments. Thanks Souvik http://satyamshivamsundaram.blogspot.com/ Quote Link to comment Share on other sites More sharing options...
Guest guest Posted August 31, 2005 Report Share Posted August 31, 2005 Good one Souvic ! Interesting to read story of Banasur after many years ! Only issues is it does not relate to astrology - Souvik Dutta vedic astrology Thursday, September 01, 2005 7:36 AM [vedic astrology] Shiv Bhakts Dear Shiv Bhakts,Please do visit a blog dedicated to Lord Shiva and please do feel free to drop in your your comments.ThanksSouvikhttp://satyamshivamsundaram.blogspot.com/ Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 1, 2005 Report Share Posted September 1, 2005 Thank you Anilji, Yes, it is true that it has nothing to do with astrology. Regards, Souvik vedic astrology, Anil Vsnl <gogatea@v...> wrote: > Good one Souvic ! Interesting to read story of Banasur after many years ! Only issues is it does not relate to astrology > - > Souvik Dutta > vedic astrology > Thursday, September 01, 2005 7:36 AM > [vedic astrology] Shiv Bhakts > > > Dear Shiv Bhakts, > > Please do visit a blog dedicated to Lord Shiva and please do feel free > to drop in your your comments. > > Thanks > > Souvik > > http://satyamshivamsundaram.blogspot.com/ > > Group info: vedic- astrology/info.html > > To UNSUBSCRIBE: Blank mail to vedic astrology- > > ....... May Jupiter's light shine on us ....... > > > > > > - ----------- > > > a.. Visit your group "vedic astrology" on the web. > > b.. > vedic astrology > > c.. Terms of Service. > > > - ----------- Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 14, 2005 Report Share Posted September 14, 2005 Friends, Articles on the 9 planets on my blog. check out when u have time! http://satyamshivamsundaram.blogspot.com Souvik vedic astrology, "Souvik Dutta" <explore_vulcan> wrote: > Thank you Anilji, > > Yes, it is true that it has nothing to do with astrology. > > Regards, > > Souvik > vedic astrology, Anil Vsnl <gogatea@v...> > wrote: > > Good one Souvic ! Interesting to read story of Banasur after many > years ! Only issues is it does not relate to astrology > > - > > Souvik Dutta > > vedic astrology > > Thursday, September 01, 2005 7:36 AM > > [vedic astrology] Shiv Bhakts > > > > > > Dear Shiv Bhakts, > > > > Please do visit a blog dedicated to Lord Shiva and please do > feel free > > to drop in your your comments. > > > > Thanks > > > > Souvik > > > > http://satyamshivamsundaram.blogspot.com/ > > > > > > > > > > > > > > > > > > Group info: vedic- > astrology/info.html > > > > To UNSUBSCRIBE: Blank mail to vedic astrology- > > > > > ....... May Jupiter's light shine on us ....... > > > > > > > > > > > > - > ----------- > > > > > > a.. Visit your group "vedic astrology" on the web. > > > > b.. > > vedic astrology > > > > c.. Terms > of Service. > > > > > > - > ----------- Quote Link to comment Share on other sites More sharing options...
Guest guest Posted September 24, 2005 Report Share Posted September 24, 2005 Friends, Same artile on my blog but this one is without pictures.... For the full article refer to: www.satyamshivamsundaram.blogspot.com Thanks Souvik ========================== Often I have thought on the probability of resemblance between Science and Religion. Is there a chance that our ancestors wanted to convey some important facts about the cosmos through means of religious texts. Whereas spirituaity is individual in qulaity, religion is very tightly coupled with society and its norms. Were these norms established in any way to relate our lives to the wider cosmos we are part of? Shiva has always been the essence of live and his actions not only affect life in its human form but also life in its cosmic existence. Some aspects of Shiva, which according to my very limited thinking, may relate to life beyond earth and humanity. Tandava: Dancing is an ancient form of magic. The dancer becomes amplified into a being endowed with supra-normal powers. His personality is transformed. Like yoga, the dance induces trance, ecstasy, the experience of the divine, the realization of one's own secret nature, and, finally, mergence into the divine essence. In India consequently the dance has flourished side by side with the terrific austerities of the meditation grove- fasting, breathing exercises, absolute introversion. To work magic, to put enchantments upon others, one has first to put enchantments on oneself. And this is effected as well by the dance as by prayer, fasting and meditation. Shiva, therefore, the arch-yogi of the gods, is necessarily also the master of the dance. The dance is an act of creation. It brings about a new situation and summons into the dancer a new and higher personality. It has a cosmogonic function, in that it rouses dormant energies which them may shape the world. On a universal scale, Shiva is the Cosmic Dancer; in his Dancing Manifestation (nritya-murti) he embodies in himself and simultaneously gives manifestation to Eternal Energy. The forces gathered and projected in his frantic, ever-enduring gyration, are the powers of the evolution, maintenance, and dissolution of the world. Nature and all its creatures are the effects of his eternal dance. Analysis of the Nataraja Rupa of Shiva: The upper right hand, it will be observed, carries a little drum, shaped like an hour-glass, for the beating of the rhythm. This connotes Sound, the vehicle of speech, the conveyer of revelation, tradition, incantation magic and divine truth. Furthermore, Sound is associated in India with Ether, the first of the five elements. Ether is the primary and most subtly pervasive evolution of the universe, all the other elements, Air, Fire, Water, and Earth. Together, therefore, Sound and Ether signify the first, truth-pregnant moment of creation, the productive energy of the Absolute, in its pristine, cosmogenetic strength. The opposite hand, the upper left, with a half-moon posture of the figure (ardhacandra-mudra), bears on its palm a tongue of flame. Fire is the element of the destruction of the world. At the close of the Kali Yuga, Fire will annihilate the body of creation, to be itself then quenched by the ocean of the void. Here, then, in the balance of the hands, is illustrated a counterpoise of creation and destruction in the play of the cosmic dance. Sound against flame. And the field of the terrible interplay is the Dancing Ground of the Universe, brilliant and horrific with the dance of the god. The fear not gesture (abhaya-mudra), bestowing protection and peace, is displayed by the second right hand, while the remaining left lifted across the chest, points downward to the uplifted left foot. This foot signifies Release, and is the refuge and salvation of the devotee. It is to be worshipped for the attainment of union with the Absolute. The hand pointing to it is held in a pose imitative of the outstretched trunk or hand of the elephant (gaja-hasta-mudra), reminding us of Ganesha, Shiva's son, the Remover of Obstacles. The divinity is represented as dancing on the postrate body of a dwarfish demon. This is Apasmara Purusha, ?The Man or Demon (purusha) called Forgetfulness, or Heedlessness (apasmara). It is symbolical of life?s blindness, man's ignorance. Therein is release from the bondages of the world. A ring of flames and light (prabha-mandala) issues from and encompasses the god. This is said to signify the vital processes of the universe and its creatures, nature's dance as moved by the dancing god within. Simultaneously it is said to signify the energy of Wisdom, the transcendental light of the knowledge of truth, dancing forth, from the personification of the All. Still another allegorical meaning assigned to the halo of flames is that of the holy syllable of AUM or OM. This mystical utterance stemming from the sacred language of Vedic praise and incantation, is understood as an expression and affirmation of the totality of creation. A – is the state of waking consciousness, together with its world of gross experience. U – is the state of dreaming consciousness, together with its experience of subtle shapes of dream. M – is the state of dreamless sleep, the natural condition of quiescent, undifferentiated consciousness, wherein every experience is dissolved into a blissful non-experience, a mass of potential consciousness. The silence following the pronunciation of the three, A,U, and M, is the ultimate un-manifest, wherein perfected supra-consciousness totally reflects and merges with the pure, transcendental essence of Divine Reality – Brahman is experienced as Atman, the Self. AUM, therefore, together with its surrounding silence, is a sound-symbol of the whole of consciousness-existence, and at the same time its willing affirmation. Shiva as the Cosmic Dancer is the embodiment and manifestation of eternal energy in its 'five activities' (panch-kriya) Creation (sristi) – the pouring forth or unfolding Maintenance (sthiti) – the duration Destruction (samhara) – the taking back or reabsorption Concealment (tiro-bhava) – the veiling of True Being behind the masks and garbs of apparitions, aloofness, display of Maya, Favor (anugraha) – acceptance of the devotee, acknowledgment of the pious endeavor of the yogi, bestowal of peace. In the Shiva-Trinity of Elephanta Caves we saw that the two expressive profiles, representing the polarity of the creative force, were counterpoised to a single, silent, central head, signifying the quiescence of the Absolute. And we deciphered this symbolic relationship as eloquent of the paradox of Eternity and Time: the reposeful ocean and the racing stream are not finally distinct; the indestructible Self and the mortal being are in essence the same. This wonderful lesson can be read also in the figure of Shiva- Nataraja, where the incessant, triumphant motion of the swaying limbs is in significant contrast to the balance of the head and immobility of the mask-like countenance. Shiva is Kala, 'The Black One' 'Time'; but he is also Maha Kala, 'Great Time', 'Eternity'. As Nataraja, King of Dancers, his gestures, wild and full of grace, precipitate the cosmic illusion; his flying arms and legs and the swaying of his torso produce – indeed, they are – the continuous creation-destruction of the universe, death exactly balancing birth, annihilation the end of every coming-forth. The choreography is the whirligig of time. History and its ruins, the explosion of suns, are flashes from the tireless swinging sequence of the gestures. In the medieval bronze figurines, not merely a single phase or movement, but cyclic rhythm, flowing on and non in the unstayable, irreversible round of the Mahayugas, or Great Eons, is marked by the beating and stamping of the Master's heel. But the face remains, meanwhile, in sovereign calm. Shiva is the personification of the Absolute, particularly in its dissolution of the universe. He is the embodiment of Super-Death. He is called Yamantaka – 'The Ender of the Tamer' , He who conquers and exterminates Yama the God of Death, the Tamer. Shiva is Maha-Kala, Great Time, Eternity, the swallower of Time, swallower of Ages and cycles of ages. Shiva is apparently, thus, two opposite things, archetypal ascetic, and archetypal dancer. On one hand , he is Total Tranquility – inward calm absorbed in itself, absorbed in the void of the Absolute, where all distintions merge and dissolve, and all tensions are at rest. But on the other hand, he is Total Activity – life's energy, frantic, aimless, and playful. The Descend of Ganga: I have always felt that the descend of Ganga may symbolize a cosmic phenomenon. I had this idea by speculation on the fractal nature of the universe. The smaller atom represents the bigger universe. By this theory could the concentration of heavenly Ganga in the matted locks of Shiva, a point of singularity, and then out of it on Earth symbolize the phenomenon of universe travel for humanity? Just my very own personal thought. Cosmology: Black hole A black hole is a concentration of mass great enough that the force of gravity prevents anything from escaping from it except through quantum tunneling behavior. The gravitational field is so strong that the escape velocity near it exceeds the speed of light. This implies that nothing, not even light, can escape its gravity, hence the word "black". The term "black hole" is widespread, even though it does not refer to a hole in the usual sense, but rather a region of space from which nothing can return. White hole In astrophysics, a white hole is a postulated celestial body that spews out matter, in other words an anti-black hole, or the time reversal of a black hole. White holes have long been speculated about in Science Fiction. They have been postulated as a means of transport between points of spacetime and even different universes. Due to a black hole's suggested funnel-like nature, matter travelling through a black hole and exiting through a white hole would be crushed to an immensely dense but small size, this would go against transportation because it is very unlikely that a white hole would have the ability to recompose the matter to its original state prior to entering the black hole. The existence of white holes is hypothetical, as they appear to violate the second law of thermodynamics. Other speculations include the hypothesis that quasars are actually white holes instead of supermassive black holes. Worm hole In physics, a wormhole, also known as an Einstein-Rosen bridge (and less commonly as an Einstein-Rosen-Podolsky bridge or Einstein- Podolsky-Rosen bridge), is a hypothetical topological feature of spacetime that is essentially a "shortcut" through space and time. A wormhole has at least two mouths which are connected to a single throat. Matter can 'travel' from one mouth to the other by passing through the throat. The name "wormhole" comes from the following analogy used to explain the phenomenon: imagine that the universe is the skin of an apple, and a worm is traveling over its surface. The distance from one side of the apple to the other is equal to half the apple's circumference if the worm stays on the apple's surface, but if it instead burrows a wormhole directly through the apple the distance it has to travel is considerably less. So what is the point that I want to make? Duality is a concept that has always been associated with Shiva. He is Ardhanireshwar. He is the inficter of Death and the lord of Regeneration as well. So, if we consider the functions of the Trinity on a cosmic level, the concept of worm hole makes a lot of sense. Trinity, is nothing, but the manifestion of Shiva. Here I would particularly like to mention about an article by Tom Beal. ........ ........ vedic astrology, "Souvik Dutta" <explore_vulcan> wrote: > Friends, > > Articles on the 9 planets on my blog. > > check out when u have time! > > > http://satyamshivamsundaram.blogspot.com > > Souvik > > > vedic astrology, "Souvik Dutta" > <explore_vulcan> wrote: > > Thank you Anilji, > > > > Yes, it is true that it has nothing to do with astrology. > > > > Regards, > > > > Souvik > > vedic astrology, Anil Vsnl <gogatea@v...> > > wrote: > > > Good one Souvic ! Interesting to read story of Banasur after many > > years ! Only issues is it does not relate to astrology > > > - > > > Souvik Dutta > > > vedic astrology > > > Thursday, September 01, 2005 7:36 AM > > > [vedic astrology] Shiv Bhakts > > > > > > > > > Dear Shiv Bhakts, > > > > > > Please do visit a blog dedicated to Lord Shiva and please do > > feel free > > > to drop in your your comments. > > > > > > Thanks > > > > > > Souvik > > > > > > http://satyamshivamsundaram.blogspot.com/ > > > > > > > > > > > > > > > > > > > > > > > > > > > Group info: vedic- > > astrology/info.html > > > > > > To UNSUBSCRIBE: Blank mail to vedic astrology- > > > > > > > > ....... May Jupiter's light shine on us ....... > > > > > > > > > > > > > > > > > > ------------------------------- -- > - > > ----------- > > > > > > > > > a.. Visit your group "vedic astrology" on the web. > > > > > > b.. > > > vedic astrology > > > > > > c.. Terms > > of Service. > > > > > > > > > ------------------------------- -- > - > > ----------- Quote Link to comment Share on other sites More sharing options...
Guest guest Posted October 7, 2005 Report Share Posted October 7, 2005 Friends, A new look and feel and some controversial articles...views are most welcome... Check out when you have time.. http:\\www.satyamshivamsundaram.blogspot.com Regards, Souvik vedic astrology, "Souvik Dutta" <explore_vulcan> wrote: > > Friends, > > Same artile on my blog but this one is without pictures.... > > For the full article refer to: > > www.satyamshivamsundaram.blogspot.com > > Thanks > > Souvik > > ========================== > > Often I have thought on the probability of resemblance between > Science and Religion. Is there a chance that our ancestors wanted to > convey some important facts about the cosmos through means of > religious texts. > Whereas spirituaity is individual in qulaity, religion is very > tightly coupled with society and its norms. > Were these norms established in any way to relate our lives to the > wider cosmos we are part of? > Shiva has always been the essence of live and his actions not only > affect life in its human form but also life in its cosmic existence. > Some aspects of Shiva, which according to my very limited thinking, > may relate to life beyond earth and humanity. > Tandava: > Dancing is an ancient form of magic. The dancer becomes amplified > into a being endowed with supra-normal powers. His personality is > transformed. Like yoga, the dance induces trance, ecstasy, the > experience of the divine, the realization of one's own secret nature, > and, finally, mergence into the divine essence. In India consequently > the dance has flourished side by side with the terrific austerities > of the meditation grove- fasting, breathing exercises, absolute > introversion. To work magic, to put enchantments upon others, one has > first to put enchantments on oneself. And this is effected as well by > the dance as by prayer, fasting and meditation. Shiva, therefore, the > arch-yogi of the gods, is necessarily also the master of the dance. > The dance is an act of creation. It brings about a new situation and > summons into the dancer a new and higher personality. It has a > cosmogonic function, in that it rouses dormant energies which them > may shape the world. On a universal scale, Shiva is the Cosmic > Dancer; in his Dancing Manifestation (nritya-murti) he embodies in > himself and simultaneously gives manifestation to Eternal Energy. The > forces gathered and projected in his frantic, ever-enduring gyration, > are the powers of the evolution, maintenance, and dissolution of the > world. Nature and all its creatures are the effects of his eternal > dance. > Analysis of the Nataraja Rupa of Shiva: > The upper right hand, it will be observed, carries a little drum, > shaped like an hour-glass, for the beating of the rhythm. This > connotes Sound, the vehicle of speech, the conveyer of revelation, > tradition, incantation magic and divine truth. Furthermore, Sound is > associated in India with Ether, the first of the five elements. Ether > is the primary and most subtly pervasive evolution of the universe, > all the other elements, Air, Fire, Water, and Earth. Together, > therefore, Sound and Ether signify the first, truth-pregnant moment > of creation, the productive energy of the Absolute, in its pristine, > cosmogenetic strength. > The opposite hand, the upper left, with a half-moon posture of the > figure (ardhacandra-mudra), bears on its palm a tongue of flame. Fire > is the element of the destruction of the world. At the close of the > Kali Yuga, Fire will annihilate the body of creation, to be itself > then quenched by the ocean of the void. > Here, then, in the balance of the hands, is illustrated a > counterpoise of creation and destruction in the play of the cosmic > dance. Sound against flame. And the field of the terrible interplay > is the Dancing Ground of the Universe, brilliant and horrific with > the dance of the god. > The fear not gesture (abhaya-mudra), bestowing protection and peace, > is displayed by the second right hand, while the remaining left > lifted across the chest, points downward to the uplifted left foot. > This foot signifies Release, and is the refuge and salvation of the > devotee. It is to be worshipped for the attainment of union with the > Absolute. > The hand pointing to it is held in a pose imitative of the > outstretched trunk or hand of the elephant (gaja-hasta-mudra), > reminding us of Ganesha, Shiva's son, the Remover of Obstacles. > The divinity is represented as dancing on the postrate body of a > dwarfish demon. This is Apasmara Purusha, ?The Man or Demon (purusha) > called Forgetfulness, or Heedlessness (apasmara). It is symbolical of > life?s blindness, man's ignorance. Therein is release from the > bondages of the world. > A ring of flames and light (prabha-mandala) issues from and > encompasses the god. This is said to signify the vital processes of > the universe and its creatures, nature's dance as moved by the > dancing god within. Simultaneously it is said to signify the energy > of Wisdom, the transcendental light of the knowledge of truth, > dancing forth, from the personification of the All. > Still another allegorical meaning assigned to the halo of flames is > that of the holy syllable of AUM or OM. This mystical utterance > stemming from the sacred language of Vedic praise and incantation, is > understood as an expression and affirmation of the totality of > creation. > A – is the state of waking consciousness, together with its world of > gross experience. > U – is the state of dreaming consciousness, together with its > experience of subtle shapes of dream. > M – is the state of dreamless sleep, the natural condition of > quiescent, undifferentiated consciousness, wherein every experience > is dissolved into a blissful non-experience, a mass of potential > consciousness. > The silence following the pronunciation of the three, A,U, and M, is > the ultimate un-manifest, wherein perfected supra-consciousness > totally reflects and merges with the pure, transcendental essence of > Divine Reality – Brahman is experienced as Atman, the Self. AUM, > therefore, together with its surrounding silence, is a sound- symbol > of the whole of consciousness-existence, and at the same time its > willing affirmation. > Shiva as the Cosmic Dancer is the embodiment and manifestation of > eternal energy in its 'five activities' (panch-kriya) > Creation (sristi) – the pouring forth or unfolding > Maintenance (sthiti) – the duration > Destruction (samhara) – the taking back or reabsorption > Concealment (tiro-bhava) – the veiling of True Being behind the masks > and garbs of apparitions, aloofness, display of Maya, > Favor (anugraha) – acceptance of the devotee, acknowledgment of the > pious endeavor of the yogi, bestowal of peace. > In the Shiva-Trinity of Elephanta Caves we saw that the two > expressive profiles, representing the polarity of the creative force, > were counterpoised to a single, silent, central head, signifying the > quiescence of the Absolute. And we deciphered this symbolic > relationship as eloquent of the paradox of Eternity and Time: the > reposeful ocean and the racing stream are not finally distinct; the > indestructible Self and the mortal being are in essence the same. > This wonderful lesson can be read also in the figure of Shiva- > Nataraja, where the incessant, triumphant motion of the swaying limbs > is in significant contrast to the balance of the head and immobility > of the mask-like countenance. > Shiva is Kala, 'The Black One' 'Time'; but he is also Maha > Kala, 'Great Time', 'Eternity'. As Nataraja, King of Dancers, his > gestures, wild and full of grace, precipitate the cosmic illusion; > his flying arms and legs and the swaying of his torso produce – > indeed, they are – the continuous creation-destruction of the > universe, death exactly balancing birth, annihilation the end of > every coming-forth. The choreography is the whirligig of time. > History and its ruins, the explosion of suns, are flashes from the > tireless swinging sequence of the gestures. In the medieval bronze > figurines, not merely a single phase or movement, but cyclic rhythm, > flowing on and non in the unstayable, irreversible round of the > Mahayugas, or Great Eons, is marked by the beating and stamping of > the Master's heel. > But the face remains, meanwhile, in sovereign calm. > Shiva is the personification of the Absolute, particularly in its > dissolution of the universe. > He is the embodiment of Super-Death. He is called Yamantaka – 'The > Ender of the Tamer' , He who conquers and exterminates Yama the God > of Death, the Tamer. Shiva is Maha-Kala, Great Time, Eternity, the > swallower of Time, swallower of Ages and cycles of ages. > Shiva is apparently, thus, two opposite things, archetypal ascetic, > and archetypal dancer. On one hand , he is Total Tranquility – inward > calm absorbed in itself, absorbed in the void of the Absolute, where > all distintions merge and dissolve, and all tensions are at rest. But > on the other hand, he is Total Activity – life's energy, frantic, > aimless, and playful. > > The Descend of Ganga: > I have always felt that the descend of Ganga may symbolize a cosmic > phenomenon. > I had this idea by speculation on the fractal nature of the universe. > The smaller atom represents the bigger universe. > By this theory could the concentration of heavenly Ganga in the > matted locks of Shiva, a point of singularity, and then out of it on > Earth symbolize the phenomenon of universe travel for humanity? > Just my very own personal thought. > Cosmology: > Black hole > A black hole is a concentration of mass great enough that the force > of gravity prevents anything from escaping from it except through > quantum tunneling behavior. The gravitational field is so strong that > the escape velocity near it exceeds the speed of light. This implies > that nothing, not even light, can escape its gravity, hence the > word "black". The term "black hole" is widespread, even though it > does not refer to a hole in the usual sense, but rather a region of > space from which nothing can return. > White hole > In astrophysics, a white hole is a postulated celestial body that > spews out matter, in other words an anti-black hole, or the time > reversal of a black hole. > White holes have long been speculated about in Science Fiction. They > have been postulated as a means of transport between points of > spacetime and even different universes. Due to a black hole's > suggested funnel-like nature, matter travelling through a black hole > and exiting through a white hole would be crushed to an immensely > dense but small size, this would go against transportation because it > is very unlikely that a white hole would have the ability to > recompose the matter to its original state prior to entering the > black hole. The existence of white holes is hypothetical, as they > appear to violate the second law of thermodynamics. > Other speculations include the hypothesis that quasars are actually > white holes instead of supermassive black holes. > > Worm hole > In physics, a wormhole, also known as an Einstein-Rosen bridge (and > less commonly as an Einstein-Rosen-Podolsky bridge or Einstein- > Podolsky-Rosen bridge), is a hypothetical topological feature of > spacetime that is essentially a "shortcut" through space and time. A > wormhole has at least two mouths which are connected to a single > throat. Matter can 'travel' from one mouth to the other by passing > through the throat. > The name "wormhole" comes from the following analogy used to explain > the phenomenon: imagine that the universe is the skin of an apple, > and a worm is traveling over its surface. The distance from one side > of the apple to the other is equal to half the apple's circumference > if the worm stays on the apple's surface, but if it instead burrows a > wormhole directly through the apple the distance it has to travel is > considerably less. > > So what is the point that I want to make? > Duality is a concept that has always been associated with Shiva. > He is Ardhanireshwar. He is the inficter of Death and the lord of > Regeneration as well. > So, if we consider the functions of the Trinity on a cosmic level, > the concept of worm hole makes a lot of sense. > Trinity, is nothing, but the manifestion of Shiva. > Here I would particularly like to mention about an article by Tom > Beal. > ....... > > ....... > > vedic astrology, "Souvik Dutta" > <explore_vulcan> wrote: > > Friends, > > > > Articles on the 9 planets on my blog. > > > > check out when u have time! > > > > > > http://satyamshivamsundaram.blogspot.com > > > > Souvik > > > > > > vedic astrology, "Souvik Dutta" > > <explore_vulcan> wrote: > > > Thank you Anilji, > > > > > > Yes, it is true that it has nothing to do with astrology. > > > > > > Regards, > > > > > > Souvik > > > vedic astrology, Anil Vsnl <gogatea@v...> > > > wrote: > > > > Good one Souvic ! Interesting to read story of Banasur after > many > > > years ! Only issues is it does not relate to astrology > > > > - > > > > Souvik Dutta > > > > vedic astrology > > > > Thursday, September 01, 2005 7:36 AM > > > > [vedic astrology] Shiv Bhakts > > > > > > > > > > > > Dear Shiv Bhakts, > > > > > > > > Please do visit a blog dedicated to Lord Shiva and please do > > > feel free > > > > to drop in your your comments. > > > > > > > > Thanks > > > > > > > > Souvik > > > > > > > > http://satyamshivamsundaram.blogspot.com/ > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > Group info: vedic- > > > astrology/info.html > > > > > > > > To UNSUBSCRIBE: Blank mail to vedic astrology- > > > > > > > > > > > ....... May Jupiter's light shine on us ....... > > > > > > > > > > > > > > > > > > > > > > > > ---------------------------- --- > -- > > - > > > ----------- > > > > > > > > > > > > a.. Visit your group "vedic astrology" on the web. > > > > > > > > b.. > > > > vedic astrology > > > > > > > > c.. > Terms > > > of Service. > > > > > > > > > > > > ---------------------------- --- > -- > > - > > > ----------- > Quote Link to comment Share on other sites More sharing options...
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