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Using the Alpha-bet as proof...

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Vince,

Only one problem with using the alpha-bet. It requires going through the

auditory to write, which is sequential where visual is pictorial and

Kinesthetic is everywhere. My suspension is you can feel the entire

alpha-bet even quicker than you can visualize it.

Kinesthetically, you can do it in a nano-second, where with visual you

must first bring up a picture of the Kinesthetic feeling of the whole

alpha-bet and then actually look at the picture and then get a

kinesthetic feeling/check that the picture is right and then go to

auditory to report.

When someone is a " recovering kino " they do the above strategy

but instead of getting a kinesthetic feeling that the picture is right

and then going to auditory to report, they go to kinesthetic not for a

feeling of right but for the fuller feeling of experiencing the alpha-bet

and time isn't the factor, experiencing is, so they have to slow down the

experience (many think they have to speed up) to put the feeling into

words.

Auditory is always in the past speaking of the past or possible future

but it is to slow to be in the present.

I suspect the reason people can't find words to describe what they are

feeling is because they have to slow down to the speed of sound. (The

mind being mostly auditory based calls it speeding up to stay

important.)

The reason athletes in the Zone use VeK for action (see/do) is because

visual is actually 169x faster (186000 / 1100) than sound and the

Kinesthetic (being) is even faster than light because it " is "

the present.

Auditory digital is necessary for human consciousness (illusion) but not

for human awareness (action or response).

Auditory (Ad) has its uses but it's speed it to slow for action and most

of the time it not only slows down action, it stops it

altogether.

Utilize Everything,

Dr. Houston (Doc Results) Vetter

http://www.achieve-your-potential.com

 

At 06:54 PM 5/17/2005, you wrote:

--- docspeed2001

<docspeed2001 wrote:

> --- In

> ,

> docresults

> <docresults@h...> wrote:

> > Hello Sue and ALL,

> > A couple of thoughts...

> > Kinesthetic is king because it travels faster than

> visual and way,

> >way faster than auditory.

>

> Actually I disagree with this.

Me 2.

I usually demonstrate this with the alpha-bet.

How long does it take to write (kino)

.... recite (audio)

.... visualize it ...

.... in fact ... you can VISUALIZE the ENTIRE alpha-bet

all at one time.

--Vince

.... a " recovering " kino ;>

Rev. James Vinson Wingo, DD

" The Huna Rebel "

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Huston,

 

>

> Only one problem with using the alpha-bet. It requires going through the

> auditory to write, which is sequential where visual is pictorial and

> Kinesthetic is everywhere. My suspension is you can feel the entire

> alpha-bet even quicker than you can visualize it.

 

I must disagree.

 

Studies show a speed of 200 meters/second for some large myelinated nerves. That

is

very fast, however light still travels faster.

 

Still, we are talking physics of the world here, not internal representation.

Because once

the light hits our eyes, it has to slow down to nerve speed. Good thing our

brain edits out

that time lag (proven in other studies, which I don't recall at this time), so

we are able to

hit a moving target.

 

But don't take my word for it. I want everyone reading to do a test and find out

for

themselves which is faster.

 

Imagine 5 different pictures in your head and time how long it takes.

Make 5 different sounds and time how long it takes.

Have 5 different feelings and time how long it takes.

 

> Kinesthetically, you can do it in a nano-second, where with visual you must

> first bring up a picture of the Kinesthetic feeling of the whole alpha-bet

> and then actually look at the picture and then get a kinesthetic

> feeling/check that the picture is right and then go to auditory to report.

 

Vince was not discussing your strategy for recalling the alphabet, Vince was

talking about

seeing a picture of the entire alphabet. This requires no feelings or sounds. If

you have to

engage feelings to make pictures, then it is going to be slow. If you need to

engage any

other representation system to use a representation system, it's going to be

slower that

using only one system.

 

But once again, don't take my word for it. Test it out for yourself...

 

Enjoy,

Michael.

www.toach.net

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Mchael,

Are you disagreeing that Kinesthetic feeling is in the now and doesn't

move faster than visual or auditory?

Having 5 different body sensations is faster than having 5 pictures or 5

sounds. Now your awareness of which is faster may be different and that

is just a matter of learning to calibrate awareness of all your sensory

files.

To not take your word for it and test it yourself, one must first develop

their calibration skills to the level of calibrating awareness of the

process including the one filing system that is outside of awareness

(which ever file that is). And I would say very few have done that. I

would suspect those who have a lot of training with Dr. John have because

it is part of the process. They may know it under different labels and

yet they know it and use it.

I was not discussing my strategy it was Vince's strategy. You can have a

kinesthetic feeling of the whole alphabet faster than you can make a

picture of the whole alphabet. Verbalizing it is faster from Visual to

Auditory because both speeds are slower than Kinesthetic. Vince mentioned

he was a " recovering kino " . I just gave the strategy for a

" recovering kino " (Check out Dobson, Stocking, Baffa,

Bandler)

The accepted strategy is that every strategy ends with a Kinesthetic

check before verbal reporting. The difference is with recovering kino's

is they get stuck or stay in kinesthetic without using any of the other

systems/files to report. In other words their strategy ends not with a

kinesthetic check and then report but kinesthetic feel with not

additional strategy to report. That is why it takes them so long to

verbalized.

The names I dropped above have all said the same thing I'm saying. All

the sensory systems have their place. One is not better than the other.

It just depends on the outcome you are focusing on. Flexibility with all

the systems is optimum. If you have difficulty with what I'm presenting

check with them.

I suspect that because Kinesthetic is so far outside many peoples

conscious awareness it seems slow when in actuality it is the fastest.

Ever been in a room and knew someone was looking at you and you turned

and someone was from across the room. The way you knew that was the

movement of energy and the first of your sensory/filing systems to touch

that energy is not your visual, nor auditory, it is your kinesthetics.

Your energy field touches your kinesthetics first (This is so foreign

many term it (ESP) Extra Sensory Perception and I think Dr. John proper

called it more accurately Extended Sensory Perception or something to

that effect). Then that sense traveled to your brain (which is

still part of your kinesthetic system) and the movement of chemicals

created the thing you call a sense or a knowing (labeled intuition)

someone was looking at you etc...

It is the biggest sensory organ you have and it is usually the least

developed in awareness thus the mystic terminology and

misunderstanding.

To develop ESP or RV/RIing the process is bringing into awareness

visually and then auditorially what you are already experiencing

kinesthetically. The purpose for training is getting the interpretations

of what the kinesthetics is giving to the visual in a more understandable

fashion.

Learning to trust your intuition is learning to trust your kinesthetics.

(They move so fast we call it intuition.)

Other words for intuition - I have a gut feeling - I have a feeling - I

have a sense - etc... And usually proceeding or following the phrase

" I can't explain it but... "

But don't take my word for it or any of the others who said it before me.

Develop the skill to calibrate all sensory data in the process and test

it yourself.

Utilize Everything,

Dr. Houston Vetter

http://www.achieve-your-potential.com

 

At 06:57 PM 5/18/2005, you wrote:

Huston,

>

> Only one problem with using the alpha-bet. It requires going through

the

> auditory to write, which is sequential where visual is pictorial and

 

> Kinesthetic is everywhere. My suspension is you can feel the entire

 

> alpha-bet even quicker than you can visualize it.

I must disagree.

Studies show a speed of 200 meters/second for some large myelinated

nerves. That is

very fast, however light still travels faster.

Still, we are talking physics of the world here, not internal

representation. Because once

the light hits our eyes, it has to slow down to nerve speed. Good thing

our brain edits out

that time lag (proven in other studies, which I don't recall at this

time), so we are able to

hit a moving target.

But don't take my word for it. I want everyone reading to do a test and

find out for

themselves which is faster.

Imagine 5 different pictures in your head and time how long it

takes.

Make 5 different sounds and time how long it takes.

Have 5 different feelings and time how long it takes.

 

> Kinesthetically, you can do it in a nano-second, where with visual

you must

> first bring up a picture of the Kinesthetic feeling of the whole

alpha-bet

> and then actually look at the picture and then get a kinesthetic

 

> feeling/check that the picture is right and then go to auditory to

report.

Vince was not discussing your strategy for recalling the alphabet, Vince

was talking about

seeing a picture of the entire alphabet. This requires no feelings or

sounds. If you have to

engage feelings to make pictures, then it is going to be slow. If you

need to engage any

other representation system to use a representation system, it's going to

be slower that

using only one system.

But once again, don't take my word for it. Test it out for

yourself...

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Houston,

 

>

> Are you disagreeing that Kinesthetic feeling is in the now and doesn't move

> faster than visual or auditory?

 

Interesting question. I am saying that Kinaesthetic moves slower that visual,

and maybe slower that auditory. I make no statement about Kinaesthetic being in

the now or not.

 

> Having 5 different body sensations is faster than having 5 pictures or 5

> sounds. Now your awareness of which is faster may be different and that is

> just a matter of learning to calibrate awareness of all your sensory files.

>

> To not take your word for it and test it yourself, one must first develop

> their calibration skills to the level of calibrating awareness of the

> process including the one filing system that is outside of awareness (which

> ever file that is). And I would say very few have done that. I would

> suspect those who have a lot of training with Dr. John have because it is

> part of the process. They may know it under different labels and yet they

> know it and use it.

 

Because this list is based on real world skills, what drills will you suggest

to the other readers (and to me, as I seem to be deficient) to enable them

to have the awareness and make that choice for themselves rather than

taking your word for it?

 

> I was not discussing my strategy it was Vince's strategy. You can have a

> kinesthetic feeling of the whole alphabet faster than you can make a

> picture of the whole alphabet.

 

Once again I disagree, but I'm beginning to suspect that we are talking about

different things.

 

> Verbalizing it is faster from Visual to

> Auditory because both speeds are slower than Kinesthetic.

 

I don't understand this statement. To me that is the same as saying 1 + 2 = 3

because they are less than 4. Verbalising the alphabet may be transferring

from Visual to Auditory, or maybe Kinaesthetic to Auditory, or Internal

Dialogue to Auditory, etc, etc.

 

> Vince mentioned

> he was a " recovering kino " . I just gave the strategy for a " recovering

> kino " (Check out Dobson, Stocking, Baffa, Bandler)

 

The strategy for a " recovering kino " to do what? Is it the old strategy the kino

is

recovering from, or the new strategy the kino is recovering to, or something

else?

 

> The accepted strategy is that every strategy ends with a Kinesthetic check

> before verbal reporting. The difference is with recovering kino's is they

> get stuck or stay in kinesthetic without using any of the other

> systems/files to report. In other words their strategy ends not with a

> kinesthetic check and then report but kinesthetic feel with not additional

> strategy to report. That is why it takes them so long to verbalized.

 

This is often the case. Though I'm curious how discussing VAK strategies

effects the conversation we are having about relative speeds of the different

modalities.

 

> The names I dropped above have all said the same thing I'm saying. All the

> sensory systems have their place. One is not better than the other. It just

> depends on the outcome you are focusing on. Flexibility with all the

> systems is optimum. If you have difficulty with what I'm presenting check

> with them.

 

I think you're pulling the conversation into a discussion on strategy rather

than relative speeds. I have not had enough experience with Dobson to comment.

However Bandler in Persuasion Engineering, Patterns I and II, and even

structure of magic (along with various of his videos and recordings) implies

something other than " kinaesthetic is the fastest " . Baffa similarly will Slow

Down when wanting to fully engage the Kinaesthetics. Can you show me

specific references that I've missed?

 

>

> I suspect that because Kinesthetic is so far outside many peoples conscious

> awareness it seems slow when in actuality it is the fastest. Ever been in a

> room and knew someone was looking at you and you turned and someone was

> from across the room. The way you knew that was the movement of energy and

> the first of your sensory/filing systems to touch that energy is not your

> visual, nor auditory, it is your kinesthetics. Your energy field touches

> your kinesthetics first (This is so foreign many term it (ESP) Extra

> Sensory Perception and I think Dr. John proper called it more accurately

> Extended Sensory Perception or something to that effect). Then that sense

> traveled to your brain (which is still part of your kinesthetic system) and

> the movement of chemicals created the thing you call a sense or a knowing

> (labeled intuition) someone was looking at you etc...

 

I'm curious about the timing of this. What is everyone's experience of staring

at

The back of someone's head, and having them turn around? For me it's not

that fast (about 3-5 seconds). Though I'm curious, in the example above

what happened prior to `create a sense' felt in the K modality.

 

> It is the biggest sensory organ you have and it is usually the least

> developed in awareness thus the mystic terminology and misunderstanding.

 

I agree with you there. After chatting with a professor of neurology once, I

started watching peoples feet for differences. Apparently, the two main nerves

that connect you brain to each foot are a different length (somewhat related to

handedness). So, with considerable acuity, you can watch a change in their

physiology hit one foot first, then the other, after travelling down the whole

body like a wave. There are a few studies out there that I can attempt to dig

up if people are interested. Similarly, after doing some tapping, or other

energy work, watching closely you can see the changes move through the body

like a wave. I would think that if K was faster than V and A, you would not be

able to watch it! This is my experience, and this is the experience I question

your

statements of " K is faster than V and A. "

 

>

> To develop ESP or RV/RIing the process is bringing into awareness visually

> and then auditorially what you are already experiencing kinesthetically.

> The purpose for training is getting the interpretations of what the

> kinesthetics is giving to the visual in a more understandable fashion.

 

I agree with you there.

 

> Learning to trust your intuition is learning to trust your kinesthetics.

> (They move so fast we call it intuition.)

 

From your statement above (They move so fast we call it intuition) I read that

if you are not aware of something it means it moves too fast to be aware of. Is

this the case?

Bandler and Grinder talk about intuition in Patterns II as the final K of a VAK

strategy that is below conscious awareness.

 

> But don't take my word for it or any of the others who said it before me.

> Develop the skill to calibrate all sensory data in the process and test it

> yourself.

 

And again, for the rest of the people reading this, what drills would you

suggest

to develop the skills to calibrate?

 

Enjoy,

Michael.

www.toach.net

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