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February 3, 2007

OM SHRI RAGHAVENDRAAYA NAMAH OM SHRI LAKSHMI NRUSIMHAAYA NAMAH Dear Members of this list, Eventhough this forwarded photos and informations are out of Jyotish, but I felt it is important for everybody to see these pictures and the informations given here. With Shri Hari Vaayu Guru Naama Smarana, Ramadas Rao.Note: forwarded message attached.

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" deepak kumar " <deepakcicb

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" praveen kumar " <praveen_tha

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praveen_tha

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soumya kukyan[soumyasundar2002] Wednesday, October 18,2006 12:38 PMSrinivas; padma vij; vinu; gopal moger; namitha h;kusuma pg; shailesh h; Hemalatha Veerachowdaiah (WT01 - Semiconductors & Consumer Electronics); jagdeesh; Sandeep MB; amreena; anu; arun;ashu.ashok; madhuri gowdaFwd: FW: taj mahal -intresting facts - should read

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BBC says about Taj Mahal---Hidden Truth - Never say it is a Tomb Aerial view of the Taj Mahal The interior water well Frontal view of the Taj Mahal and dome Close up of the dome with pinnacle Close up of the pinnacle Inlaid pinnacle pattern in courtyard Red lotus at apex of the entrance Rear view of the Taj & 22 apartments View of sealed doors & windows in back Typical Vedic style corridors The Music House--a contradiction A locked room on upper floor A marble apartment on ground floor The OM in the flowers on the walls Staircase that leads to the lower levels 300 foot long corridor inside apartments One of the 22 rooms in the secret lower level Interior of one of the 22 secret rooms Interior of another of the locked rooms Vedic design on ceiling of a locked room Huge ventilator sealed shut with bricks Secret walled door that leads to other rooms Secret bricked door that hides more evidence Palace in Barhanpur where Mumtaz died Pavilion where Mumtaz is said to be buried NOW READ THIS....... No one has ever challenged it except Prof. P. N. Oak, who believes the whole world has been duped. In his book Taj Mahal: The True Story, Oak says theTaj Mahal is not Queen Mumtaz's tomb but an ancient Hindu temple palace of Lord Shiva (then known as Tejo Mahalaya ) . In the course of his research O ak discovered that the Shiva temple palace was usurped by Shah Jahan from then Maharaja of Jaipur, Jai Singh. In his own court ch ronicle, Badshahnama,Shah Jahan admits that an exceptionally beautiful grand mansion in Agra was taken from Jai SIngh for Mumtaz's burial . The ex-Maharaja of Jaipur stillretains in his secret collection two orders from Shah Jahan for surrendering the Taj building. Using captured temples and mansions, as a burial place fordead courtiers and royalty was a common practice among Muslim rulers. For example, Humayun,Akbar, Etmud-ud-Daula and Safdarjung are all buried in such mansions. Oak's inquiries began with the name of Taj Mahal. He says the term " Mahal " has never been used for a building in any Muslim countries from Afghanisthan to Algeria . "The unusual explanation that the term TajMahal derives from Mumtaz Mahal was illogical in atleast two respects. Firstly, her name was never Mumtaz Mahal but Mumtaz-ul-Zamani," he writes. Secondly, one cannot omit the first three letters 'Mum' from a woman's name to derive the remainder as the name for the building."Taj Mahal, he claims, is a corrupt version of Tejo Mahalaya, or Lord Shiva's Palace . Oak also says the love story of Mumtaz and Shah Jahan is a fairy tale cre ated bycourt sycophants, blundering historians and sloppy archaeologists Not a single royal chronicle of Shah Jahan's time corroborates the love story. Furthermore, Oak cites several documents suggesting the Taj Mahal predates Shah Jahan's era, and was a temple dedicated to Shiva, worshipped by Rajputs of Agra city. For example, Prof. Marvin Miller of New York took a fewsamples from the riverside doorway of the Taj. Carbon dating tests revealed that the door was 300 years older than Shah Jahan. European traveler Johan Albert Mandelslo,who visited Agra in 1638 (only seven years after Mumtaz's death), describes the life of the cit y in his memoirs. But he makes no reference to the Taj Mahal being built. The writings of Peter Mundy, an English visitor to Agra within a year of Mumtaz's death, also suggest the Taj was a noteworthy building well before Shah Jahan's time.Prof. Oak points out a number of design and architectural inconsistencies that support the belief of the Taj Mahal being a typical Hindu templeratherthan a mausoleum. Many rooms in the Taj ! Mahal have remained sealed since Shah Jahan's time and are still inaccessible to the public . Oak asserts they contain a headless statue of Lord Shiva and other objects commonly used for worship rituals in Hindu temples Fearing political backlash, Indira Gandhi's government t ried to have Prof. Oak's book withdrawn from the bookstores, and threatened the Indian publisher of the first edition dire consequences . There is only one way to discredit orvalidate Oak's research. The current government should open the sealed rooms of the Taj Ma hal under U.N. supervision, and let international experts investigate. Do circulate this to all you know and let them know about this reality.....

February 3, 2007

Jaya Jagannatha

Dear Ramadas ji,

Namaste

Might I refer to the picture file 004.jpg about the inlay work done on the marble pieces. The concept of the process involves a permanent insertion of a brass wire when it comes to marble work. Copper will oxidose with the air can cause dicolouration over a period of time, unless the inlay is an amalgam of metals works. You can imagine when I had to insert this into my marble work...... As I am embedding the same picture, you can clearly make out that there has not been any such work done to show the contrast of the layout of the image – especially on a floor that size, I would imagine the gauge to be heavier, hence the contrast would be greater.

I am almost embarrassed to confirm that this picture seems to be doctored to make it look like there is an inlay when in fact it is not. So I would conclude that this picture is as fake as it can get with a superimposed image onto the picture of the marble tiles. I haven’t had time to look at the rest, but what I’ve seen can also be explained in the sense that after all, you were once a unified Bharat until the Moghul takeover when changes in art relief is also evident with the spill over of who was once a believer of Shiva et al to being a Mohamadean believer. So one would expect a spill over of the art work and ideas. I sincerely hope that one day, someone will look into the history and come up with a good reason to tell us otherwise.

Love,

Swee

On 2/3/07 6:30 PM, " Ramadas Rao " <ramadasrao

OM SHRI RAGHAVENDRAAYA NAMAH

OM SHRI LAKSHMI NRUSIMHAAYA NAMAH

Dear Members of this list,

Eventhough this forwarded photos and informations are out of Jyotish, but I felt it is important for everybody to see these pictures and the informations given here.

With Shri Hari Vaayu Guru Naama Smarana,

Ramadas Rao.

Note: forwarded message attached.

February 5, 2007

OM SHRI RAGHAVENDRAAYA NAMAH OM SHRI LAKSHMI NRUSIMHAAYA NAMAH Dear Swee Ji, Thanks for your views.After reading your your mail and looking at the pictures, I am searching for SRI P.N.Oak's book.Unless I get that book and read the materials in that book,I dont want to comment further. With Shri Hari Vaayu Guru Naama Smarana, Ramadas Rao.Swee Chan <sweechan wrote: Jaya JagannathaDear Ramadas ji,NamasteMight I refer to the picture file 004.jpg about the inlay work done on the marble pieces. The concept of the process involves a permanent insertion of a brass wire when it comes to marble work. Copper will oxidose with the air can cause dicolouration over a period of time, unless the inlay is an amalgam of metals works. You can imagine when I had to insert this into my marble work...... As I am embedding the same picture, you can clearly make out that there has not been any such work done to show the contrast of the layout of the image – especially on a floor that size, I would imagine the gauge to be heavier, hence the contrast would be greater.I am almost embarrassed to confirm that this picture seems to be doctored to make it look like there is an inlay when in

fact it is not. So I would conclude that this picture is as fake as it can get with a superimposed image onto the picture of the marble tiles. I haven’t had time to look at the rest, but what I’ve seen can also be explained in the sense that after all, you were once a unified Bharat until the Moghul takeover when changes in art relief is also evident with the spill over of who was once a believer of Shiva et al to being a Mohamadean believer. So one would expect a spill over of the art work and ideas. I sincerely hope that one day, someone will look into the history and come up with a good reason to tell us otherwise. Love,SweeOn 2/3/07 6:30 PM, "Ramadas Rao" <ramadasrao (AT) (DOT) co.in> OM SHRI RAGHAVENDRAAYA NAMAH OM SHRI LAKSHMI

NRUSIMHAAYA NAMAH Dear Members of this list, Eventhough this forwarded photos and informations are out of Jyotish, but I felt it is important for everybody to see these pictures and the informations given here. With Shri Hari Vaayu Guru Naama Smarana, Ramadas Rao.Note: forwarded message attached.

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