Guest guest Posted February 17, 2006 Report Share Posted February 17, 2006 Dear Anil kumar ji Thanks for your detailed mail.You are far learned than me and your effort and time spent over various mails are indeed great.I will try to attempt parts of your mail at a later stage. Kindly read the previous mail(question that i had posted to Sreenadh ji and his answer). 1)Kshethra is Temple,Kshethra is Field(eg KuruKshethra) and as per Gita Kshethra is also body. 2)Bhava -What is a Bhava.For eg -think of Devi Bhava - Raudra Bhava - Laasya Bhava etc.Also for a musician,we might say - Thaalam(Rythm) and Shruthi(Pitch) were good(technically ok) but lacking in Bhava.What is Bhava then. It is that expression which conveys, the one to be conveyed.''Anil kumar Bhava'' - is the Ahamkara,that gives you a 'I' feeling.In the absence of Bhava,just a Roopa (structure) is, what that remains. In dance,it is the manifestation of ,confluence or blend of feelings (Bhava Rasa).Expression of a bhava is possible only with the confluence of numerous factors - Atma,Indriyas,Budhi,Chitta(past impressions),Manas etc,and finally the tangible body through which the concerned bhava becomes visible. Jyotisha is the study of soul,manas,budhi,indriyas etc along with the sthoola shareera;which being the instrument for exhaustion of karmas.Planets are just external indicators of the,continous dynamic processes within the above said intra body entities vis-a-vis Paramatma. Thus Dashadhyayee the interpretation, of great Varahamihiracharya,has explained Rashi,Hora,Drekkana,Navamsha,Dwadshamsha etc.(For eg,Rashi is Sthoola shareera;Navamshas are NavaPranas -nine functional forms of the same prana;Dwadashamsha is Budhi,Manas and Vayu;Trimshamsha is Chakshuradhi Pancha Jnanendriyas etc). Lagna is the factor that decides various Bhavas.One has to see the Bhavanadha,grahas in a bhava,Drishti on a Bhava,Karaka Grahas and Vargasambandhas on a bhava to understand any Bhava in totality.I had given classical examples where 7th Bhava plus navamshas where used in a complementary fashion.HOLISTIC approach.There are just 12 signs and 9 planets.Rest is interplay within the same rashis through different sambandhas. If two planets are drawn as conjunct in a navamsha,it shows the navamsha sambandha,those planets are having on the said sign which in turn is a bhava.They are not together,but they are individually having infleunce on the said bhava.A planet is situated at one place and having influence on many places.(Think of sambandhas like argala,drishti etc).Energies of different levels acting in different ways - For example guru having navamsha in the lagna or trinal bhavas is lending a subtle energy to those bhavas.It is not placed there,rather infleuencing. Even with a wrong chart,we could find convincing explanations from learned members.We can see stunning post mortem analysis from Top Brass,through arrangement of vargamshas.We could see birth time being shifted ,by couple of hours,and still getting confident explanations using vargamshas.I honestly do not have the courage to do so.I will attempt your chart soon. No amount of intellectual exercises can ever alter the defintions and teachings of sages.Satyameva Jayathe - TRUTH ALONE SHALL PREVAIL. Thanks Pradeep Quote Link to comment Share on other sites More sharing options...
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