Guest guest Posted October 31, 2005 Report Share Posted October 31, 2005 Dīpāvali – Worship of the Yogic Power, Kundalini Dipavali today has innumerable legends associated with it as are the innumerable lamps getting lighted all over the Indian subcontinent. India, having one of the most antique heritage and a living tradition traceable to the 3rd and 4th millennium BC has a way of life carrying the signatures of these old Ages and shares the features of what may be described as the cultural ruins of a far more creative and different phase of human activity. One of the hallmarks of this ancient civilization as can be gleaned from ancient literature that have survived the onslaught of time had been an obsession with time as to worship it as a Great God – Mahakala and Mahadeva of the ancient Tantra who is a personification of the stellar reference (Star Mūla) of the computation of time vis-à-vis the marker of the New Year. According to the modern Christian calendar Sun transits over this point around 16th of December which is nearly 45 solar days after the Dipavali celebrations of 2005 and this difference is a consequence of the loss of the true rationale of the festival as well as the luni-solar calendar. Actual day of Mula_samkrama when macrocosmic and microcosmic Prana will be in concordance shall be 18:09 IST on 16 December 2005. Deepavali originally symbolized the Kundalini who resembled an "array of lights" and as Sun transited the Muladharam, Mahakundalini became active and kindled the inner light of all. It also marked the initiation day in Tantrik tradition and the lighting of lamps symbolized the same. Some of the customs related to Deepavali celebrations – Yama trayodasi celebrations meant lighting of the lamps for Yama's dogs, Syama and Sabala to transcend `apamrtyu' can be true only if Deepavali is celebrated as Mula_samkrama. Preta Chaturdasi or Naraka_Chaturdasi is also related to the representation of Naraka and Nirrti etc by Mula star. Siddhas plucked medicinal herbs on the Chaturdasi as the solar transit is believed to infuse in them the potency of Mrtasanjeevani. Oil bath and fasting from Krishna-trayodasi to Sukla dviteeya, Vidyarambham etc have been steps enunciated to take full advantage of the astronomical positions that invigorated the Prana in both macrocosm and microcosm. Astronomical Rationale Festival derived its rationale from the new moon and the first tithi of the bright half that coincided with the solar transit over Mūla, which marked the New Year epoch of the worshippers of Lord Siva. In calendar terms Mārgasīrsha sukla-pratipada coinciding with the solar transit over Mūla was the original Indian New Year, which is described in purānic literature as Bali-pratipada, in the name of the Great King of Asuras viz., Mahābali who ruled over the region surrounding the Narmada. Star Mūla also received personification as Kāla – the lord of death, described also as Yama in the terminology of Yoga. End of the year on Kārttika Krishna 30 and New Year of Mārgasīrsha sukla-pratipada marked the Solar transit over the Mūlādhāra of Kālapurusha – the seat of the occult power "Jyoti" (light) or "Mahākundalini" of the Universe. It is this basic astro-tāntrik rationale that led to the celebration of the New Year by lighting lamps. 2400: Death Point on Zodiac: Mūlādhāram: Kālalingam: Mahākāla and Mahākāli, Yama. Jyoti: Flame of Kundalini – Jyotihsastra, the science of Kundalini, in terms of celestial lights and their rhythms 2400 and the Mūla star also signify the abode of all spirituality and the source of Kundalini – Man's transcendence of disease and death as Yogi, Pasupati, Mrtyunjaya. Another reason behind the lighting of lamps may be the beginning of Pitryāna with the solar transit of Mūla whose deity is mrtyu or Nirrti. The basic identification of the Kārttika Krishna 30 with Yama or Narakāsura had its genesis in the tāntric conception of time as Mūlādhāra Cakra over which the star Mūla marked the death point – the netherworld or Naraka or the seat of Yama. Mūla marked the beginning of Pitryāna at the point where Ākāsa Ganga crosses the ecliptic and this feature led to the ancient notion that the Ganga formed the boundary of the world of humans and the Pitrloka. It is important here to note that the special location of Mūla also led to its personification as Mahākāla and the tāntric worship of Time as Linga. …Not the figments of one's imagination…. What I have stated above are not simply the figments of imagination. The legend regarding churning of the Ksheera Sāgara or Milky Ocean (Akāsa Ganga) is an allegory that refers to the original epoch at which the Zodiac was given a mathematical formulation. Mūla, personified as Mahādeva or Gangādhara was at the place ecliptic crossed Akāsa Ganga. Vāsuki who served as the rope was the celestial equator of a few thousands of years before the present. Legends had personified Dhanu rāsi as Siva, Simha rāsi holding the pole of the ecliptic (around which Dhruva had its slow revolution) as Vishnu, and the Kanyā rāsi as many Virgin goddesses. Glimpses of this great epoch is apparent in Rāmāyana and Mahābharata too in allegorical terms such as "Nirarteya Rāvana"(Mūla star on the equator - Lanka), Rāma & Sita (Sun & Moon), "matsya-kanyā", "Gangadutta", etc, characters of great antiquity who had their roles described in the epic in terms of the calendar conflicts of later epochs before the complete extinction of the Saivagama based civilization. Evidences supporting the antiquity of the worship of Mūla star as Siva include the worship of time as genitals and astronomical interpretation of Sivas iconography that survived the eons of time. It is worth noting that at Prāg- Jyotishpura or Kāmākhya – in the city of Narakāsura – Devi is worshipped as genitals installed on the banks of Akāsa Ganga and at the Navagraha temple all the nine Grahas are worshipped as Linga. Purāna authors have described Narakāsura as the son of Earth in view of the personification of Tāntrik Mūla having equator over it. I am to conclude for the present that a chapter of Hindu antiquity remains unearthed even today and the consequent incompleteness of history is the basic reason behind many ambiguities and confusions about Indian history. K. Chandra Hari Quote Link to comment Share on other sites More sharing options...
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