Guest guest Posted November 27, 2005 Report Share Posted November 27, 2005 Sai Baba: "I apply vibhuti to your brow to remind you that you too are divine." There have been countless healings by people who have put vibhuti in water and drank it, or rubbed the ash on some ailing body part. Here is one example I witnessed. Upon returning from a trip to India, I brought back some vibhuti for a number of friends. One friend had recently given birth to a baby girl, Katy, who was sickly at birth and in and out of hospitals. I went to visit Katy and her mother, and for the first hour that we talked, Katy screamed - the entire time. Finally, I asked G. if she would like to see the gift I had brought her. When she opened up the ceramic container which held the vibhuti, she was thrilled and immediately took some and rubbed it on Katy's abdomen. Within one or two seconds Katy's pain, restlessness and screaming ended. Within five seconds, Katy was soundly asleep. This was not the end of the story however, as Katy required several months of intensive medical care before she was permanently on the road to health. Of all the miracles Sai Baba performs, everyone who has visited him has witnessed the materialization of vibhuti. Sai Baba's biographer, the late N. Kasturi, wrote that his calculations showed that Sai Baba had materialized several tons of vibhuti. Kasturi died in about 1990, so the above figure is understated." Dr. Gersten reports that, "This statue of Krishna, made of gold, was materialized by Sai Baba in 1968, when Sai Baba was 42 years old. Krishna, a poorna (full) Avatar, was born July 20th, 3228 B.C. and is known world-wide for telling the story which is the Bhagavad Gita, the story of the triumph of good over evil. This story was about a real war between the Pandavas (good guys) and the Kauravas (bad guys) who were cousins. The battlefield on which they fought, called the Kurukshetra, is both real and allegorical. As a psychiatrist, I see this inner battle going on in many people I treat. This picture was taken by Ratan Lal on May 15, 1968. The event took place near Dwaraka, where Krishna lived, which is on the west coast of India, about 325 miles northwest of Bombay. The description of this event is given by N. Kasturi in Sathyam Sivaram Sundaram, Part III, on page 183-184. To paraphrase: 'While returning to Jamnagar in the evening, Baba suddenly said, 'O, the sea is here!' and the cars stopped. We came upon a wide patch of sandy shore, with a temple on a heap of rocks at one end. Baba walked along the watery edge and sat on the sands at last, as Krishna must have sat some fifty centuries ago. Sai Baba heaped the soft sand to the height of a cubit in front of him, putting us all into a state of extreme expectancy. He flattened the heap and, with his finger, drew a three-slanted line, a rough circle on top of it, a small triangle over that, and finally a short line across the circle. 'It is ready,' he said. Digging his hands deep into the pile, he drew forth a bright golden image of Lord Krishna playing the flute. 'You did not get darshan of Krishna in the temple; have it now,' He said. Kasturi surmises that the long line was for the body, the circle for the forehead, the triangle for the peackcock feather, and the short line for the flute.' In 1968, when this photograph was taken, there were few devotees visiting Sai Baba. However, now there are tens of thousands of people visiting Prasanthi Nilayam, Sai Baba's ashram, every day. After the crowds started becoming huge, Sai Baba stopped his practice of walking with a few devotees to the nearby riverbed, because he is followed by masses of people wherever he goes. The crowds did not start becoming huge until the early 1980's, and even then they were small in comparison to the 4 million devotees who came to celebrate Sai Baba's 70th birthday in 1995. It is a miracle in itself that a gathering of 4 million spiritual seekers received no media coverage. In spite of these numbers, each individual has a unique relationship with Sai Baba, and receives what he needs, although not necessarily what he wants." During the Christmas Discourse, December 1996 in Prasanthi Nilayam, Sai Baba's ashram in Southern India, Sai Baba waved his hand and materialized a miniature Bible, the one seen in this photograph. Sai Baba indicated that this was a small version of a very old version of the Bible, written in Russian, and long lost for nearly 2,000 years. Sai Baba indicated that this Bible had and has a number of book markers made of cloth, and that each one had a quote from some of the world's great religions. He indicated that none of the information in this Bible is present in the current Bible. This very new yet very new Bible is in keeping with the history of the Bible. Prior to the year 321, there were many different gospels and many different thoughts about Jesus. In 321 King Constantine called the first Council of Nicea to figure out what would go in the Bible. Constantine was not a Christian, but knew that he needed to have the support of the Christians in order to solidify the Roman Empire. One of the most popular gospels in the first 300 years A.D. was the Gospel of Thomas, a gospel that "did not make the cut." Constantine needed a view, a concept of Jesus that would empower himself. In 381, fifty years of debating ended and the Bible was officially canonized. There were two powerful forces and ideas discussed in those fifty years. One view, the view of Arius, was that Jesus was a man who, through great effort and spiritual practice, became God-like, in fact became God - or the Son of God. In this view, Jesus was seen as a model, a teacher, someone to emulate. It was the view of Arius that each of us has the right and privilege to a one-to-one relationship with Jesus and that we too can become more God-like by practicing what he taught and how he lived. The opposing and winning point of view was that Jesus was a God, far removed from the normal, mortal man, that he was an immense symbol of power and authority. The advantage of this point of view for the early church was that one had to go to a higher authority in order to have contact with Jesus; one needed Popes and Priests. This idea suited Constantine well for it was in line with his ideas of power, authority and submission to the State. Shortly before he died, Constantine asked to be Baptized and became a Christian just before he died. There are many mysteries to the Bible, of which the materialized Bible by Sai Baba is one. It is also of great interest that in about 1950 an Egyptian farmer dug up a jar that, after much examination, proved to have fivty gospels of Jesus. After examination by Christian historians, anthropologists, and the like, some of these gospels were felt to be fake, and some legitmate. Among the legimate was a Gospel of Mary Magdalene, a brief four pages. In time, the world must sort out the real Jesus,not the one who was the creation of politicians, but the one he really was. This discourse was captured on video, along with the materialization, by James Redmond. You can look for it at http://www.saivideos.com. Look for the Christmas Discourse 1996. This particular tape is catalogued as E96S and can be found at http://www.saivideos.com/Catalog/video.html This photograph depicts the vibhuti abhisheka, performed by Sai Baba during festivals, especially MahaShivarathri - the night dedicated to Shiva, part of the Hindu Trinity. Brahma is the Creator, Vishnu the Preserver, and Shiva the Destroyer of illusion and untruth. Before Sai Baba put his hand into the urn, it was held upside down by a devotee, so that all could see that the urn was empty. Sai Baba would then roll up both sleeves so as to further show lack of trickery. Once he had put his hand in the urn, Sai Baba would move his hand and arm vigorously and large amounts of vibhuti would pour out. Professor N. Kasturi, Sai Baba's biographer, often held the urn. He observed that once Sai Baba inserted his hand into the urn, it instantly became much heavier. Likewise, when Sai Baba withdrew his hand, vibhuti immediately stopped pouring out and Kasturi would be surprised by the fact that the urn would suddenly feel quite light once again. The late Dick Bock, who produced the early films about Sai Baba, recorded this event and commented that it was almost stranger when Sai Baba took his hand out of the urn and stopped the flow of vibhuti, as the gushing out of vibhuti began to feel like the normal state. Although one cannot see it in this picture, the vibhuti is being poured over a silver statue of Shirdi Sai Baba, the first of the triple Sai incarnation, who died in 1918. The amount of vibhuti produced in the vibhuti abhiskeka is so great that not only the statue of Shirdi Sai is covered, but so also is the floor. A British couple went to visit Sathya Sai Baba in Puttaparthi, South India, the site of Sai Baba's main ashram called "Prasanthi Nilayam." The husband was a devotee of Sai Baba and his wife a devout Christian. It seems that, for the wife, Sai Baba's Divine love and miraculous powers initially posed a problem and a conflict. Sai Baba called the couple in for an interview, and during that interview the husband's automatic camera began clicking and photographing on its own. Upon returning to England, the couple discovered a photograph looking like Jesus, when they developed that roll of film. That entire role of film had been shot in a small, simple room with no one looking like Jesus present at the time. During their next trip to India, Sai Baba again called them in for an interview and asked them if they liked the photograph. He then told the couple that this was a photograph of Jesus at the age of 28 or 29, when he had returned from "The Lost Years in India" and returned to Jerusalem. Thus ends the corroborated version of this miracle. It is widely understood that this miraculous experience helped the wife to, not only embrace the Divinity of Sai Baba, but to grow closer to Jesus, and see that loving both was a blessing and not a conflict... a blessing that helped deepen her Christian faith. Needless to say, it is amazing and miraculous to have a photograph of Jesus, nearly 2,000 years after his birth. It would seem, to a very high degree of probability, that the world now has an accurate photograph of Jesus. The crucifix in this photograph was materialized by Sai Baba for Dr. John Hislop, a Western devotee who spent more personal time in Sai Baba's immediate presence that perhaps any other Westerner. The late Dr. Hislop was a spiritual giant and a quiet, humble saint. If he were still alive, he would insist that he was not a saint or anything even close. Before proceeding with the story, notice how small the body of Jesus is - only one inch. The crucifix was materialized in the Spring of 1973, on Mahashivarathri, the night of Shiva. Up until 1973, Sai Baba had materialized, or given birth to a lingham (egg-shaped object) during Mahashivarathri each year. The night before the usual materialization of the lingham in 1973, Sai Baba told Jack Hislop that this year the lingham would be manifested with only a few devotees present. Early the next morning, Sai Baba, Hislop and a few devotees got in their cars and drove many hours until they reached the Bandipur Forest in the Indian state of Mysore, perhaps a ten hour drive. Hislop was hoping for a repeat performance of a miracle that occured with Sai Baba in the Bandipur Forest previously. On that prior occasion, Sai Baba stood at the edge of the forest and called the elephants to him. An entire herd of elephants came thundering toward Sai Baba. Most of the devotees ran for safety, but Sai Baba calmly stood his ground. The elephants stopped running and one of them slowly approached Sai Baba, knelt on the ground in front of him, and then turned around and walked back into the forest along with the herd. But in 1973, such was not the case. Sai Baba instructed the driver where to stop the car, and after doing so, walked down the slope of a river until they reached the sandy river bed. As they passed a bush, Sai Baba broke off two twigs and placed them together. "What is this, Hislop?" Sai Baba asked. "Well, Swami, it's a cross," Hislop replied. Sai Baba then closed his hand around the two twigs and blew into his fist several times. When he opened his hand, the twigs were no longer present, but instead the crucifix you see in this photograph was. Hislop and the other devotees were stunned by the miraculous crucifix, so small, yet so beautiful and full of detail. Sai Baba related to Hislop that he had blown several times into his fist in order to create a crucifix out of the original wood on which Jesus was crucified. Baba said, "All of the original wood had returned to the elements, so I had to blow on the twigs several times in order to retrieve the original wood." Thus, the crucifix you see is made of the 2,000 year old wood that was part of the original crucifix. Hislop, in examining the crucifix more closely, noticed a hole at the top of the cross and asked Baba about it. Sai Baba replied to the effect that the crucifix was not stuck into the ground, but rather was hung on a post. Sai Baba indicated to Hislop that Jesus, as he appears in this small metal sculpture, is the way he actually appeared after his physical death on the cross. Following the materialization of the crucifix, Sai Baba began walking along the riverbed, then sat in the sand with the others around him. The group could see that Sai Baba was beginning to "give birth" to a lingham, as he always does on Mahashivarathri. They watched until it come out of Sai Baba's throat and was caught by him in a silk handkerchief (see photograph 18 of a lingham). Several weeks later, Jack Hislop and his wife, Victoria, were back in their home overlooking the ocean in Mexico near Ensenada. A friend of theirs, Walter, had visited them, seen the crucifix and asked if he could photograph it, which he did. Walter and his wife returned a few weeks later, and spread out the photographs alongside the crucifix. At exactly 5 p.m. there was a loud crash of thunder and lightning. A great wind blew through the house and rattled the windows and doors, blowing the curtains around. This was a mystery, as the sky had been completely clear. Even a San Diego newspaper noted the unusual event the following day. Victoria Hislop immediately commented, "What just happened is described in the Bible. At exactly 5 p.m., Jesus died, and a great wind, a violent storm suddenly descended." Victoria was able to find the Bible passage depicting this event. The Hislops felt they had just witnessed a recapitulation of the actual crucifixion and physical death of Jesus. A couple of years later, Sai Baba confirmed to Hislop that his experience and interpretation of the storm surrounding the crucifix was correct. A question arises out of this story. Why was the crucifix materialized on Mahashivarathri, the night and morning dedicated to the worship of Shiva, and the dissolution of one's ego and negative qualities? Why the materialization of the Shiva Lingham and crucifix on the same day? There are no readily available answers to these questions. One thing is certain. This tiny, miraculous crucifix has so much detail that the more you enlarge it, the more detail is revealed. You will see this on the next page in looking at an enlargement of the head of Jesus. At one point, an effort was made to photograph the crucifix with high quality photographic equipment used by opthalmologists. They have equipment that can accurately enlarge an object many times more than a standard camera. However, this was not to be, and with the passing of Hislop, the crucifix was sent back to Prasanthi Nilayam, where it is on display at the museum there. At this size of enlargement, remember that the face of Jesus is only an eighth of an inch long on the actual materialized crucifix. At this size, one begins to see more detail, and what is striking are the bumps all over his body. Dr. John Hislop asked Sai Baba about the bumps and was told that Jesus was beaten over every inch of his body. Because of the severe beating, blood clotted underneath the skin, creating the numerous bumps seen here at the time of his physical death. The crucifix in this photograph was materialized by Sai Baba for Dr. John Hislop, a Western devotee who spent more personal time in Sai Baba's immediate presence that perhaps any other Westerner. The late Dr. Hislop was a spiritual giant and a quiet, humble saint. If he were still alive, he would insist that he was not a saint or anything even close. Before proceeding with the story, notice how small the body of Jesus is - only one inch. The crucifix was materialized in the Spring of 1973, on Mahashivarathri, the night of Shiva. Up until 1973, Sai Baba had materialized, or given birth to a lingham (egg-shaped object) during Mahashivarathri each year. The night before the usual materialization of the lingham in 1973, Sai Baba told Jack Hislop that this year the lingham would be manifested with only a few devotees present. Early the next morning, Sai Baba, Hislop and a few devotees got in their cars and drove many hours until they reached the Bandipur Forest in the Indian state of Mysore, perhaps a ten hour drive. Hislop was hoping for a repeat performance of a miracle that occured with Sai Baba in the Bandipur Forest previously. On that prior occasion, Sai Baba stood at the edge of the forest and called the elephants to him. An entire herd of elephants came thundering toward Sai Baba. Most of the devotees ran for safety, but Sai Baba calmly stood his ground. The elephants stopped running and one of them slowly approached Sai Baba, knelt on the ground in front of him, and then turned around and walked back into the forest along with the herd. But in 1973, such was not the case. Sai Baba instructed the driver where to stop the car, and after doing so, walked down the slope of a river until they reached the sandy river bed. As they passed a bush, Sai Baba broke off two twigs and placed them together. "What is this, Hislop?" Sai Baba asked. "Well, Swami, it's a cross," Hislop replied. Sai Baba then closed his hand around the two twigs and blew into his fist several times. When he opened his hand, the twigs were no longer present, but instead the crucifix you see in this photograph was. Hislop and the other devotees were stunned by the miraculous crucifix, so small, yet so beautiful and full of detail. Sai Baba related to Hislop that he had blown several times into his fist in order to create a crucifix out of the original wood on which Jesus was crucified. Baba said, "All of the original wood had returned to the elements, so I had to blow on the twigs several times in order to retrieve the original wood." Thus, the crucifix you see is made of the 2,000 year old wood that was part of the original crucifix. Hislop, in examining the crucifix more closely, noticed a hole at the top of the cross and asked Baba about it. Sai Baba replied to the effect that the crucifix was not stuck into the ground, but rather was hung on a post. Sai Baba indicated to Hislop that Jesus, as he appears in this small metal sculpture, is the way he actually appeared after his physical death on the cross. Following the materialization of the crucifix, Sai Baba began walking along the riverbed, then sat in the sand with the others around him. The group could see that Sai Baba was beginning to "give birth" to a lingham, as he always does on Mahashivarathri. They watched until it come out of Sai Baba's throat and was caught by him in a silk handkerchief (see photograph 18 of a lingham). Several weeks later, Jack Hislop and his wife, Victoria, were back in their home overlooking the ocean in Mexico near Ensenada. A friend of theirs, Walter, had visited them, seen the crucifix and asked if he could photograph it, which he did. Walter and his wife returned a few weeks later, and spread out the photographs alongside the crucifix. At exactly 5 p.m. there was a loud crash of thunder and lightning. A great wind blew through the house and rattled the windows and doors, blowing the curtains around. This was a mystery, as the sky had been completely clear. Even a San Diego newspaper noted the unusual event the following day. Victoria Hislop immediately commented, "What just happened is described in the Bible. At exactly 5 p.m., Jesus died, and a great wind, a violent storm suddenly descended." Victoria was able to find the Bible passage depicting this event. The Hislops felt they had just witnessed a recapitulation of the actual crucifixion and physical death of Jesus. A couple of years later, Sai Baba confirmed to Hislop that his experience and interpretation of the storm surrounding the crucifix was correct. A question arises out of this story. Why was the crucifix materialized on Mahashivarathri, the night and morning dedicated to the worship of Shiva, and the dissolution of one's ego and negative qualities? Why the materialization of the Shiva Lingham and crucifix on the same day? There are no readily available answers to these questions. One thing is certain. This tiny, miraculous crucifix has so much detail that the more you enlarge it, the more detail is revealed. You will see this on the next page in looking at an enlargement of the head of Jesus. At one point, an effort was made to photograph the crucifix with high quality photographic equipment used by opthalmologists. They have equipment that can accurately enlarge an object many times more than a standard camera. However, this was not to be, and with the passing of Hislop, the crucifix was sent back to Prasanthi Nilayam, where it is on display at the museum there. Dr. Gersten reports that, "You wouldn't know there was anything unusual about this photograph unless you knew it was taken at noon when the sky was a light blue, about the shade of blue on the side of this building (the Poornachandra auditorium, the largest free-standing auditorium in India with only external supports). The figure on the side of the building is Shiva Nataraj, dancing Shiva, the destroyer of illusion. I have loved the form of Shiva Nataraj since I first saw it in 1978. Upon return to the United States, the film was developed, and I was mystified and awed to see the glorious shade of deep navy blue that the sky appears to be. On some computer screens, the sky will appear black as night. Sai Baba has said that deep deep blue is the color of the Infinite, the color one sees when looking down into the ocean when far out at sea. As soon as I saw this photograph, a whole series of events from that trip to India became clear. The day before my stay at the ashram was over, I journeyed into Puttaparthi to visit the tailor. Within seconds of passing through the gates of Prasanthi Nilayam into Puttaparthi, I became ill. I instantly had a fever, became weak, and could not walk the hundred yards to the tailor. I staggered back to my room at the ashram. I felt certain that this was a unique spiritual illness, and that Sai Baba had something to do with it. Nonetheless, just to be safe, I took an antibiotic. That evening, a Thursday, as Sai Baba passed by me at evening darshan, I said, "Swami, I am leaving tomorrow. Will you see me?Yes, yes, I see you," He replied. A word of advice. Always be more specific in asking a question of Sai Baba. By Friday morning I was a bit delirious from the strange illness. Morning darshan came, and Sai Baba walked right past me. I asked my taxi driver if he would wait eight hours until evening darshan and he agreed to do so. Finally, evening darshan came and I knew that this would be my last chance to interact with Sai Baba during this trip. He came out of the Mandir, or temple, and walked over to the men's side (men and women sit separately). Baba walked my way, stood beside a boy who was sitting to my left and began to wave his hand in the familiar style indicating he is about to materialize something. My eyes were fixed on what was happening, and Baba's hand was no more than a foot and a half away from me. Suddenly, a silver medallion dropped right out of the center of Sai Baba's palm and just hovered in space. The medallion was spinning around quickly as it hovered as if defying gravity, and it was molten hot as if it had just come out of the Cosmic Oven. As the medallion spun in space, a bright beam of light shot out in my direction - right into my eyes. I was so amazed and stunned that I couldn't breathe for a moment. That was the moment when Sai Baba chose to zip on past me, but I regained my breath, got up on my knees and said, "Swami I am leaving. Will you please see me in an interview?" He stopped, looked me in the eyes for the first time in two weeks and said, "What did you say?" I repeated myself, word for word, and was shocked by what happened next. Sai Baba slapped the back of my head and said, "Sit!" He then walked away. I was confused and upset and felt that this was the wrong outcome for the trip. Certainly it wasn't the outcome I had wanted. One thing stuck in my mind as he faded into the distance, and that was that I felt that the medallion he had materialized had been materialized both for the boy and for myself. I left the ashram in a huff, disappointed by my journey up until that point. I packed my bags, got in the taxi and headed away from Prasanthi Nilayam. When the taxi had traveled no more than a half mile from the ashram, I had a sudden realization. The moment he slapped the back of my head, Sai Baba removed the strange illness I had. I began to laugh. It would take too long to describe all the things that I instantly understood, but a dozen things came into sharp focus. I had been so intent on getting an interview, and so disappointed that I did not have one, that for the half hour after he had slapped my head I entirely missed the fact that he had removed the illness. I knew that Sai Baba had given me the strange spiritual illness and that he had removed it. This is highly significant in the light of my prayers and questions before the trip. Before the trip, I prayed or mentally spoke to Sai Baba and said, "During my first trip, you proved that you are indeed for real, that you are the maker of miracles, and that you are fully Divine. But after that trip, just about everything in my life fell apart or changed. So, Baba, I surrender everything to you now . . . except for my health. And I want to know if you are involved in my life. Are you my spiritual teacher?" As the taxi pulled away, I knew he had heard my prayer. He was indeed involved in my life in a big way and this was his way of telling me that. I laughed at my bold and foolish prayer in which I had said, "But you can't touch my health." It was precisely through my health that he chose to work his miracles. And then I laughed harder. I'm a medical doctor and am pretty used to the preferential treatment doctors get (or used to get) in America. I had traveled 26,000 miles, circled the globe, and this man, this Sai Baba wouldn't even speak to me. What a crushing blow to my medical ego, but a pleasant and funny one. There is no one special in Sai Baba's eyes. He showers his love on homeless beggars as much as he does on heads of state. Being a doctor meant nothing on this spiritual path. Everyone is equally special in his eyes. More thoughts flooded my mind. "Well, if he's involved at the level of my body, maybe I should take a good look at my diet." Daring fool that I was, I challenged that very thought when I arrived at the West End Hotel in Bangalore. I ordered lamb kabob and a quart of beer. I was throwing down the gauntlet. The next day, the spiritual illness returned and I became quite frightened. I was so weak that I couldn't imagine surviving thelong flight ahead. I took out some vibhuti (see photo number 1), rubbed some on my forehead and put some on my tongue, and then prayed in this way: "Please free me from this illness. I will be a strict vegetarian the rest of the time I am in India. Please let me work this out on my own once I am back in America." Instantly I felt better, almost cured. However, the day of my return flight I was beginning to feel weak again. But, when the plane left India, the illness completely vanished. I arrived at LA International Airport, where my car had been parked for the month, drove two hours back home to San Diego . . . and had no jet lag. Now, you're probably wondering what ever happened to the photograph of Shiva on the side of the building with the deep deep blue sky. Well, you see, I had said to myself, while in India, that if Sai Baba materialized anything for me, I would like a medallion of Shiva Nataraj, dancing Shiva, the form seen in this picture. Sai Baba had given me the miracle in two parts. The medallion he had materialized had taken my breath away and I had felt that part of that miracle was intended for me. And then this photograph was printed, a miracle surrounding Shiva. Together, the medallion and the photograph, were the Shiva medallion I had asked for, just not the way I had imagined it. The sense of awe, gratitude, and love I felt was immense. My ego had taken quite a pounding during that trip. Of course, ego demolition is Shiva's job description. I have gone on at some length here to indicate that the miracles, in-and-of themselves are not what matters. They are part of a much grander sheme. These miracles showed me Sai Baba's love and compassion, his humor, his Shiva sternness, his omniscience. He showed me that he will give me what I need, which may have nothing to do with what I want. To this day, I am still learning from the miracle of this Shiva Blue Sky photograph." Of all the physical objects that Sai Baba has manifested, or materialized, out of thin air, sacred ash, or vibhuti, is the most common. Because ash is the final end product of all matter on earth, it holds a special sacred place in the world's religions. In the spiritual sense, vibhuti is the most precious object. To quote Sai Baba: "I apply vibhuti to your brow to remind you that you too are divine." There have been countless healings by people who have put vibhuti in water and drank it, or rubbed the ash on some ailing body part. Here is one example I witnessed. Upon returning from a trip to India, I brought back some vibhuti for a number of friends. One friend had recently given birth to a baby girl, Katy, who was sickly at birth and in and out of hospitals. I went to visit Katy and her mother, and for the first hour that we talked, Katy screamed - the entire time. Finally, I asked G. if she would like to see the gift I had brought her. When she opened up the ceramic container which held the vibhuti, she was thrilled and immediately took some and rubbed it on Katy's abdomen. Within one or two seconds Katy's pain, restlessness and screaming ended. Within five seconds, Katy was soundly asleep. This was not the end of the story however, as Katy required several months of intensive medical care before she was permanently on the road to health. Of all the miracles Sai Baba performs, everyone who has visited him has witnessed the materialization of vibhuti. Sai Baba's biographer, the late N. Kasturi, wrote that his calculations showed that Sai Baba had materialized several tons of vibhuti. Kasturi died in about 1990, so the above figure is understated. This picture depicts a yagna or sacrifice. This is not the kind of sacrifice where one kills an animal. In this ceremony what is sacrificed are one's bad qualities, one's anger, greed, envy, jealousy, and lust. These Vedic Priests are pouring ghee, a form of butter, and other liquids into the fire. If we had RealAudio, you could hear the chanting of the Vedic Priests, which will go on all day long during certain holidays. If one looks at the fire in this photograph, Sai Baba's form can easily be seen, with his right hand raised as if blessing others. If you have trouble seeing Sai Baba's form, click on the photo to go to the next size up in enlargement. That picture has been edited in PhotoShop so that Sai Baba's left arm, hair, and right hand are outlined in black. This photo has had Sai Baba's left arm, chin, hair and right hand outlined in black. Now go back to the previous page and see if you too can see Sai Baba's image emerging out of the flames. There is a second miracle present in this photograph that has gone largely unnoticed by those familiar with this photograph, and that is that the smoke emanating from the flames forms most of the symbol of AUM. Have you ever seen smoke with a sharp angle in the middle of it? Look for that point, that sharp angle about two-thirds of the way up the column of smoke. With Sai love from Sai brothers - '' Source and courtesy: http://www.saibabamiracles.com Music Unlimited - Access over 1 million songs. Try it free. Quote Link to comment Share on other sites More sharing options...
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