Ancient Mexican Carving Depicts Chakras & Kundalini

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Ancient Mexican Carving Depicts Chakras & Kundalini

http://www.vedicempire.com/vedicmexico.htm

ANCIENT MEXICAN CARVING DEPICTS

 

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VEDIC KUNDALINI AND CHAKRAS

http://www.vedicempire.com/vedicmexico.htm

Art from central Mexico associated with Teotihuacan depicted the same

chakras system as the Vedic tradition. A relief from Monte Alban in

central Mexico explicitly aligns chakras similarly to the Vedic

tradition.

 

Vedic - Kundalini Serpent

aligned with root chakra

 

Relief from Monte Alban - Glyphs on the figure forming a vertical

axis with glyphs in the root position parallel chakras in Vedic

system.

 

The glyphs attached to Fate's body in the Kingsborough drawing

outline the luminous light body that the Toltec don Juan Matus

described as an egg shape comprised of fibers that emanate from the

stomach. The glyphs on the Kingsborough figure are arrayed in a non-

linear sequence relative to the Sun Stone glyphs. For example,

Serpent glyph is sixth in sequence on the Sun Stone but occupies the

spotlight in the Kingsborough drawing.

 

 

 

The body parts pointed out on the God of Fate include points of the

soul's entrance and exit recognized in the Tantric tradition of

Tibet. It is interesting that the seven chakra points that were known

in central Mexico were not the topic of the Kingsborough drawing from

the Borgia Codex, but that the drawing relates to areas addressed in

ritual cleansing as well as the entrance and exit of the soul from

the body.

 

In the original Kingsborough drawing the artist took it upon himself

to number the glyphs in sequential order, starting with #2 on the

figure's right foot and ending with #20 at the serpent in the center

of the drawing. The ludicrous confusion in counting the glyphs

sequentially exemplifies the reasons why Euro-Americans still have

not fully deciphered the ancient calendar almost 500 years after most

of the codices were burned.

 

Yet the archetypes of Native America's first calendar are so powerful

that the crudely drawn glyphs on Fate's body in the Kingsborough

drawing still tell their story through the confusion that destroyed a

civilization. When interpreted in their proper sequence, the glyphs

will even tell the condition of those humans who destroyed an ancient

civilization for gold and slaves. In this way, the crudely executed

and annotated copy of ritual texts from central Mexico, the

Kingsborough drawing, now provides an historical documentary of the

barbaric European confusion that enveloped Native America.

Copyright KDuran 2001