Guest guest Posted March 30, 2005 Report Share Posted March 30, 2005 Srinivasan Kalyanaraman Comments on civilizational illiteracy claims of Farmer, Sproat and WitzelIt is one thing to theorise on singletons in script. It is quiteanother to recognise that are many stable pairs of signs, many stabletriplets of signs which get repeated on epigraphs. More important, theso-called field symbols (Mahadevan) or pictorial motifs (Parpola) arealso part of the 'illiterate writing system' and these glyphs shouldalso be explained by any commentator of ancient writing systems. Afterall, these glyphs occupy a significant space on cute, small-sizedepigraphs; some Harappa miniature tablets are of the size of athumbnail. They cannot be wished away as magical power representationsor divinity representations. Anecdotal evidence or conjectures do nota thesis make, particularly when a trans-civilizational 'illiterate'behavior is sought to be unraveled.Is it mere coincidence that punch-marked coins also contain about 5devices on an average, devices which are comparable to Sarasvatihieroglyphs which also appear on copper tablets (over 200 fromMohenjodaro and Harappa)?Two comments, one by Bryan Wells and another by DesiOne are excerpted below.The URL cited by Bryan Wells for his sign list is a remarkable effort;Bryan, congratulations for your contribution to study ofcivilizations, by unraveling the nature of orthography of the 'Indusscript' glyphs. Dhanyavaadah. K.Bryan Wells on March 29, 2005 03:55 PMDear Sepia MutinyOnce again I find myself in the position of spending valuable time onthe work of Farmer et al. I sincerely had hoped to avoid this at allcosts as time is short and these discussions are mostly unproductive.I cannot let Farmer's posting go unanswered. To Richard Sproat manythanks for your encouragement.I would like to begin by apologizing to Richard Sproat and MichaelWitzel for associating them inadvertently with Steve Farmers' earlierwork on the Indus Script. In my previous e-mail I have given quotesfrom Farmer's "Five Cases of Dubious Writing" as well as material fromtheir joint paper. I assumed that this work represented one body ofresearch. Here I will address only the most recent paper "The Collapseof the Indus-Script Thesis".Second, I need to be clearer about what I mean when I say they do notcontrol any ancient script. They do not control any Logo-syllabicwriting systems such as Maya, Egyptian, Cuneiform, Linear-B,proto-Elamite, or Shang Chinese etc. That is the type of writingsystems that may be comparable to the Indus Script. Their experiencewith alphabets does not necessarily qualify them to make informedstatements with regard to the Indus script. I would agree that theyare about as well qualified as Barry Fell who also held a PhD – inmarine biology.Third, I would like to point out several errors relating to my workthat typify the style of Farmer et al: 1) on page 30 they quote me assaying that "sign repletion in single inscriptions may have beenavoided for aesthetic reasons". This was in reference to the wellknown practice in Egyptian Hieroglyphics of aesthetic spellings, andthe equally well attested practice among Maya scribes of using manyvarieties of signs, often to construct more symmetrical glyph blocks.They go on to state "Some ancient scripts did contain many homophonoussigns, but no evidence exists that they were used for such systematicpurposes…". This is evidence they do not understand the ways in whichmajor ancient writing systems worked. 2) on page 37 in footnote 23they tell the reader that I have abandoned my earlier sign list andhave now gone to "to the opposite extreme, now claiming that nearlyall 'singletons' are complex signs." This information was received bythrough Andrew Lawler, the author of the Science article. This seemsto be the quality of information that Farmer et al are mostcomfortable with. In fact, my earlier sign list was based entirely onthe first two volumes of "The Corpus of Indus Seals and Inscriptions".In my Master of Arts Thesis I made it abundantly clear that my purposewas to create as detailed of a sign list as possible with the data athand. Both the Thesis and the sign list can be downloaded at:http://www.nlc-bnc.ca/obj/s4/f2/dsk2/ftp03/MQ31309.pdfAs to singletons: they are most commonly constructions of several signcomponents, or members of one of the allograph groups (low frequencysigns with similar graphs that cannot be definitely identified as onegrapheme with certainty). The most frequent signs (n>29) are mostoften single component (basic) signs. Of the signs that occur morethan 100 times none consist of more than 3 components. I havepresented in detail in my dissertation (forthcoming) my methodologyfor creating a sign list for the Indus script. This method begins withthe grouping of signs on the basis of sign design. Allographs areidentified through the analysis of their contexts, and the resultinggraphemes are analyzed for their chronological and spatialdistributions. Additional considerations included artifact type andpairings with other signs including numerals. This methodology led tothe creation of a sign list with 677 signs, but as has been pointedout in my dissertation not all of these signs are certain to beseparate graphemes. Instead, part of the sign list consists of sets ofrelated signs that cannot be defined either as allographs or graphemeswith certainty. Following a policy of maintaining detail, signs thatfall into this category are maintained as separate signs awaitingfurther analysis. Note that the number of elements used to constructsigns and the frequency of signs are inversely proportional. Complexsigns with many components normally have low frequencies. This resultsin a high proportion of singletons in the sign list. This is also truefor both the proto-Elamite and proto-Cuneiform scripts. In addition tohaving large proportions of singletons these three scripts (the Indus,proto-Elamite, and proto-Cuneiform scripts) share other features: asmall number of very high frequency signs, many allographic variants,and logographic conflations including numbers. I would suggest toFarmer et al that they take a look at the signs, not just at thestatistics derived from other sign lists. Further, if they are sodissatisfied with the Indus sign lists available, I suggest they maketheir own. As Farmer points out repeatedly in his most resent postingI will not have my PhD in hand for another year, so they should beable to do a sign list much quicker than the 15 years it has taken me.I would also like to point out that my sign list will change in thefuture as I continue to analyze the Indus script. That is the natureof this work (epigraphy).As can be seen from this discussion the Indus script is more complexthan a cursory study of sign list statistics would lead us to believe.Sign construction can occur in a variety of ways. By my count thereare at least 30 strategies used to create Indus signs. Add to this thedemonstrable polyvalence of several number signs and the whole issuebecomes exceedingly complex.In their paper "The Collapse of the Indus-Script Thesis" they presentsix basic arguments to support the claim that the Indus Script is notwriting.Extreme brevity (p. 22): In a resent paper Robert Englund(2004:130-40) describes the set of inscriptions he uses to analyzesign M371 as: ranging for 1 – 14 signs with the mean length of 5non-numerical signs. A brief examination of the Uruk IV texts willreveal they are like wise very terse. Note that there are nomonumental inscriptions using the proto-Elamite script.Lost Manuscript Thesis (p. 24): Farmer et al point to the lack ofarchaeological evidence for the existence of manuscript production.They would like to find an inkpot and quill or other paraphernalia ofwriting. How about traces of ink on the wooden doweling? In Farmerposting he correctly points out that the text on the reverse of thistag was not carved in wood, he does however seen unaware of the texton the reverse of the tag. He writes:"Wells earlier made this whopper of a claim -- it is quite absurd, asshown below -- to a German reporter in late January. E.J.H. Mackay(_Further Excavations of Mohenjo-daro_ 1938, Vol. 1, p. 349) correctlyidentifies the piece that Wells mentions as a tiny clay 'sealing' --that is, it is a small piece of clay (known to researchers as a 'tag')carrying a seal impression that once surrounded a wooden rod. It iscertainly NOT a carving in wood, as Wells claims. Seal impressionslike this were very common sealing types in the Near East, and Indusexamples of this sealing type are illustrated in an important paper(now in press) written by the Italian researchers Maurizio Tosi andDennys Frenez, who have studied such pieces in Lothal (an Indus urbansite)."First the tag in question was found at Mohenjo-daro (what has Lothalgot to do with it? Note Lothal is not an urban center). The picture isclear: see Mackay 1938:Plate XC 17 a-c. XC 17c is the photo of thetext on the reverse of the tag. What Mackay (1938:353-4) actually saysis: "On the inside of the sealing there are also some markings whichlook remarkably like pictographic signs ©, though, unfortunately butlittle remains of them owing to the breaking of the sealing…if,however, the inscription had been incised upon the wooden rod, thecharacters upon the sealing should have been in relief, whereas theyare the opposite. There is, however, the possibility that the originalwriting, if writing it be, was in some thick ink which stood outenough to impress it self upon the reverse side of the sealing." Imust apologize for my mistake with regards to this point. A carefulexamination of the photo XC 17c seems to show a texts with 13+ signs,but only the bottoms of the signs remain.Paradoxical Sign Frequencies (p. 26): These are two striking featuresof frequency distribution of Indus signs—the high frequency of signsthat occur only once (singletons) and the small number of signs thatoccur extremely frequently. This sort of distribution is not unusualin sign lists from other ancient scripts from South Asia [steve if youlook at a map Iran is in Asia and its really south].The most obvious feature Proto-Elamite script is that it has many moresingletons than either of the other two scripts (Indus andP-Cuneiform). It can also be shown that the Indus script is mostsimilar to Proto-Sumerian. The reason for the large number ofsingletons and large numbers of allographic variants is that thescripts have not yet been standardized (Damerow 1999). This is exactlywhat happens with the Indus script. There are sets of signs that aregraphically related but with minor variations in the design of theirgraphs (allographic sets). Signs have many allographs. Signs areconstructed from conflations of several signs, or signs plus designelements. This distribution is not paradoxical, but rather verycommon.Sign Repetition Rate (p. 26): The repetition rates as discussed inFarmer et al are another example of their complete misunderstanding ofthe nature of the Indus inscriptions. Their repetition rates are verysimilar to Uruk IV and proto-Elamite texts of similar lengths. Why arethese problematic? The most glaring error in this section of theirpaper is their reference on page 34 in Figure 5 to bar seals as being"Late-Mature Harappan". They are not. Look at DKG at Mohenjo-daro(Mackay 1938) and the Mound F data from Harappa (Vats 1940) and youwill quickly see that these artifacts occur in all levels of thesesites. They are not even most common in the Late-Mature Harappan, butrather the Middle of the Mature Harappan period at Mohenjo-daro(Intermediate I and Late III).Unique signs (p. 36) have already been dealt with.Comparison With Other Ancient Symbol Systems (p. 39): The most obviouserror in this section is in Figure 8 that gives line drawings of Vincasymbols. These artifacts date from 4500 to 6000 BC and theirarchaeological contexts are poorly understood. What is known is thatthey come from at least two locals that cannot be linkedarchaeologically, and that the ones most similar to Uruk IV tabletsmay be as much as 1000 years later than the decorative marks found onfigurines and ceramics. These are not a single set of data as Farmeret al pretend.One comment: Look at the caption and graphic (K-59a) for Figure 11(p.42) and think about what is being said and if it is reasonable. Onehint: think positional notation.Finally, think about this: If you define writing as "…a graphicrepresentation of language that, ultimately, can be used for any sortof linguistic expression" (Cooper 2004:93), then none of the earlylogographic writing systems of the old world would qualify.Sorry for the lengthy discussion.My best to allBryan WellsTraveling ScholarHarvard UniversityDesiOne on March 29, 2005 04:54 PMNot sure how to verify the details of this discussion, but one thingis for certain, and Farmer et al cannot disprove this:The civilization that existed in the Harrapa/Mohenjo Daro region wasextremly sophisticated and advanced, at a level equal to or above anyother at that time. At that time Europe and Central Asia were still inthe hunter gatherer or nomadic invader phase of civilization. (I'm nottrying to disparage different "phases" of civilization, as erstwhileAmerican scholars and professors were wont to do, I'm just pointingout disparate levels of societal sophistication). Meanwhile, the IndusValley/Sarasvati civilization had extremely efficient urbanplanning(featuring "Euclidean" orientations and proportions, WAYbefore Euclid), advanced sanitation practices, highly specializedsocietal roles and functions, advanced recreation (as evidenced by the6 face dice and Chess pieces) and religion (relics that wereprecursors to Shiva)...in short, all the hallmarks of an advancedcivilization. Given this degree of sophistication, its HIGHLY unlikelythat the plethora of writings which did exist did not have formalrules, but were rather just a bunch of credit-card-junk-mail-likejibberish. Please.Such a contention is not surprising to me, however. It reflects aninherent disdain that I have noticed among some of my Americanprofessors of the "subjects" they study. This is at an ivy leagueuniversity too. Just as decades ago these professors would insist thatthe putatively advanced Aryans necessarily invaded and civilized thedocile and lowly Indus valley civilization, some of them now try todetract from the latter's sophistication with the same vigilance.Farmer you were a kid from the street so I'll put it in street terms.Stop hating. Give props where props is due. Thank you come again.Excerpted from: http://www.sepiamutiny.com/sepia/archives/000834.htmlDo You ? Quote Link to comment Share on other sites More sharing options...
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