In the 10th and 11th centuries, the south witnessed the construction of massive temples, great cathedrals in their own right. With the passage of time, the Chola dynasty came to dominate politics in south India. With their progression to power, the small scale of the Pallava masterpieces - the rathas and the Shore temple at Mahabalipuram - was not sufficient as a showpiece of Chola power. The craftsmen were soon to be put to a greater test.

The sleepy town of Khajuraho is home to some of the finest examples of Hindu temple construction. Among the many temples that exist, most have been deserted. Hence Khajuraho is not a religious pilgrimage; rather it serves as a magnet for tourists from all over the world. And graceful silhouettes that exceeds any preceding examples. But the most distinctive feature of the silhouette of a Khajuraho temple is without doubt its distinctive shikhara.

The flourishing temple styles in North India - both the Khajuraho and the Orissi versions - were brought to a rude end with the Muslim invasion. When the Muslims consolidated their hold over North India, temple-building activity virtually stopped. Entire families of skilled craftsmen were now presented with two choices - the first of which was to work for their new masters and abandon the idea of building a temple as an offering to God. This resulted in the fusion of Persian and Indian building styles and was to result in an entirely new idiom.